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  • Engaging Characters : Fiction, Emotion, and the Cinema
    Engaging Characters : Fiction, Emotion, and the Cinema

    Characters - those fictional agents populating the fictional worlds we spend so much time absorbed in - are ubiquitous in our lives.We track their fortunes, judge their actions, and respond to them with anger, amusement, and affection - indeed the whole palette of human emotions.Powerfully drawn characters transcend their stories, entering into our imaginations and deliberations about the actual world, acting as analogies and points of reference. And yet there has been remarkably little sustained and systematic reflection on these creatures that absorb so much of our attention and emotional lives. In Engaging Characters, Murray Smith sets out a comprehensive analysis of character, exploring the role of characters in our experience of narrative and fiction.Smith's analysis focuses on film, and also illuminates character in literature, opera, song, cartoons, new and social media.At the heart of this account is an explanation of the capacity of characters to move us.Teasing out the various dimensions of character, Smith explores the means by which films draw us close to characters, or hold us at a distance from them, and how our beliefs and attitudes are formed and sometimes reformed by these encounters.Integrating these arguments with research on emotion in philosophy, psychology, evolutionary theory, and anthropology, Engaging Characters advances an account of the nature of fictional characters and their functions in fiction, imagination, and human experience. In this revised, twenty-fifth anniversary edition of Engaging Characters, Smith refines and extends the arguments of the first edition, with a substantial new introduction reviewing the debates on emotion, empathy, and film spectatorship that the book has inspired.

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  • Love Objects : Emotion, Design and Material Culture
    Love Objects : Emotion, Design and Material Culture

    How are love and emotion embodied in material form?Love Objects explores the emotional potency of things, addressing how objects can function as fetishes, symbols and representations, active participants in and mediators of our relationships, as well as tokens of affection, symbols of virility, triggers of nostalgia, replacements for lost loved ones, and symbols of lost places and times. Addressing both designed 'things with attitude' and the 'wild things' of material culture, Love Objects explores a wide range of objects, from 19th-century American portraits displaying men's passionate friendships to the devotional and political meanings of religious statues in 1920s Ireland.

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  • Bloom : Art, Flowers and Emotion
    Bloom : Art, Flowers and Emotion

    Artists have always been captivated by the colour, beauty and exoticism of flowers.Their fragility is a reminder to seize the day, whilst their rich sensory appeal jolts us into the present moment.In many cultures, they've become a fertile metaphor for life's milestones whether joyful or sad. Bloom explores the way art, flowers and emotion entwine, featuring over one hundred works from artists including Tracey Emin, David Hockney, Winifred Nicholson and Andy Warhol.Taking you on a surprising journey through love, sex, death and everything in between -- Bloom shows that there's a lot more to flowers than simply looking pretty.

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  • Glass Case Of Emotion classic fit.
    Glass Case Of Emotion classic fit.

    Where are you Ron? If you're going through an intense moment of sadness and grief while stuck in a phone booth then you're in luck (kinda)! This Anchorman t-shirt lets you relieve Ron Burgundy's famous line while mourning the death of his beloved dog Baxter! Don't worry! He gets better.

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  • Is hatred really an emotion?

    Hatred is often described as a strong feeling of intense dislike or animosity towards someone or something. While it is commonly referred to as an emotion due to its powerful and visceral nature, some argue that it is more of a learned behavior or mindset rather than a pure emotion. Hatred can be fueled by a variety of factors such as fear, prejudice, or past experiences, making it a complex and multifaceted phenomenon that goes beyond just being a simple emotion.

  • Is fear the strongest emotion?

    Fear is a powerful and primal emotion that can have a strong impact on our thoughts and actions. However, it is not necessarily the strongest emotion for everyone. Different individuals may experience and respond to emotions in different ways, and what feels most powerful to one person may not be the same for another. Emotions such as love, anger, and joy can also have a significant impact on our lives and can be just as powerful as fear in certain situations. Therefore, it is subjective to say whether fear is the strongest emotion overall.

  • Is hate really an emotion?

    Hate is often described as a strong feeling of intense dislike or animosity towards someone or something. While it is not a primary emotion like happiness or sadness, hate is considered a complex emotion that can be fueled by a combination of other emotions such as anger, fear, or disgust. It involves a deep-seated aversion and can lead to harmful thoughts and actions. Overall, hate can be seen as a powerful and destructive emotion that can have significant impacts on individuals and society.

  • What does little emotion mean?

    Little emotion refers to a lack of strong feelings or expressions of emotion. It can indicate a sense of detachment, indifference, or apathy towards a situation or person. People who exhibit little emotion may have difficulty connecting with their own emotions or the emotions of others, leading to a perceived lack of empathy or understanding in social interactions.

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  • Anger : The Conflicted History of an Emotion
    Anger : The Conflicted History of an Emotion

    Tracing the story of anger from the Buddha to Twitter, Rosenwein provides a much-needed account of our changing and contradictory understandings of this emotion All of us think we know when we are angry, and we are sure we can recognize anger in others as well.But this is only superficially true. We see anger through lenses colored by what we know, experience, and learn. Barbara H. Rosenwein traces our many conflicting ideas about and expressions of anger, taking the story from the Buddha to our own time, from anger’s complete rejection to its warm reception.Rosenwein explores how anger has been characterized by gender and race, why it has been tied to violence and how that is often a false connection, how it has figured among the seven deadly sins and yet is considered a virtue, and how its interpretation, once largely the preserve of philosophers and theologians, has been gradually handed over to scientists—with very mixed results.Rosenwein shows that the history of anger can help us grapple with it today.

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  • Nostalgia : A History of a Dangerous Emotion
    Nostalgia : A History of a Dangerous Emotion

    'A fascinating and rigorous debunking of everything I thought I knew about nostalgia' - Pandora Sykes 'Absorbing' - Guardian'Arnold-Forster is a shrewd critic and delightful guide . . . She carries weighty learning lightly – embracing everything relevant, from dubious neuroscience to cod sociology.' - The TelegraphIn Nostalgia: A History of a Dangerous Emotion, Agnes Arnold-Forster blends neuroscience and psychology with the history of medicine and emotions to explore the evolution of nostalgia from its first identification in seventeenth-century Switzerland (when it was held to be an illness that could, quite literally, kill you) to the present day (when it is co-opted by advertising agencies and politicians alike to sell us goods and policies). Nostalgia is a social and political emotion, vulnerable to misuse, and one that reflects the anxieties of the age.It is one of the many ways we communicate a desire for the past, dissatisfaction with the present and our visions for the future.Arnold-Forster’s fascinating history of this complex, slippery emotion is a lens through which to consider the changing pace of society, our collective feelings of regret, dislocation and belonging, the conditions of modern and contemporary work, and the politics of fear and anxiety.It is also a clear-eyed analysis of what we are doing now, how we feel about it and what we might want to change about the world we live in. ‘Arnold-Forster belongs to that valuable non-jargon-spouting breed of academic who is capable of explaining complex ideas in simple language.’ - The Times

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  • Nostalgia : A History of a Dangerous Emotion
    Nostalgia : A History of a Dangerous Emotion

    'Absorbing' - The Guardian'Illuminating' - Vogue'Fascinating' - Pandora SykesIn Nostalgia, historian Agnes Arnold-Forster blends neuroscience and psychology with the history of medicine and emotions to explore the evolution of nostalgia from seventeenth-century Switzerland (when it was held to be an illness that could, quite literally, kill you) to the present day (when it is co-opted by advertising agencies and politicians alike to sell us goods and policies). It is a fascinating, compelling story of a social and political emotion, vulnerable to misuse, and one that reflects the anxieties of the age.It is also a clear-eyed analysis of what we are doing now, how we feel about it and what we might want to change about the world we live in. ‘Beautifully compact, wide-ranging and enjoyable’ - TLS

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  • Hybrid Emotion
    Hybrid Emotion


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  • Do emotion and reason go together?

    Emotion and reason are often seen as two separate aspects of human cognition, but they are not mutually exclusive. In fact, they often work together to help us make decisions and navigate the world. Emotions can provide valuable information about our values and preferences, while reason can help us evaluate options and make logical choices. Ultimately, a balance of both emotion and reason is often necessary for making well-rounded and informed decisions.

  • Which emotion accompanies you the most?

    As an AI, I do not experience emotions like humans do. I am designed to assist and provide information to the best of my abilities without any emotional influence. My main purpose is to help users with their queries and provide accurate and helpful responses.

  • Why is she writing without emotion?

    She may be writing without emotion because she is trying to convey information in a clear and objective manner. This could be important in a professional or academic context where emotions may cloud the message. Additionally, she may be intentionally trying to distance herself from the topic or the reader in order to maintain a sense of professionalism or neutrality. Finally, it's possible that she is feeling emotionally detached from the subject matter and is reflecting that in her writing.

  • Is this lack of emotion normal?

    The experience of a lack of emotion can be normal in certain situations, such as during periods of stress or grief. However, if the lack of emotion persists for an extended period of time and significantly impacts daily functioning, it may be a sign of an underlying mental health issue such as depression or anxiety. It is important to seek support from a mental health professional to better understand the cause of the lack of emotion and to receive appropriate treatment.

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