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Screen Culture : A Global History
In this expansive historical synthesis, Richard Butsch integrates social, economic, and political history to offer a comprehensive and cohesive examination of screen media and screen culture globally – from film and television to computers and smart phones – as they have evolved through the twentieth and twenty-first centuries. Drawing on an enormous trove of research on the USA, Britain, France, Egypt, West Africa, India, China, and other nations, Butsch tells the stories of how media have developed in these nations and what global forces linked them.He assesses the global ebb and flow of media hegemony and the cultural differences in audiences' use of media.Comparisons across time and space reveal two linked developments: the rise and fall of American cultural hegemony, and the consistency among audiences from different countries in the way they incorporate screen entertainments into their own cultures. Screen Culture offers a masterful, integrated global history that invites media scholars to see this landscape in a new light.Deeply engaging, the book is also suitable for students and interested general readers.
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Neoliberalism and Global Cinema : Capital, Culture, and Marxist Critique
In cinema studies today, rarely do we find a direct investigation into the culture of capitalism and how it has been refracted and fabricated in global cinema production under neoliberalism.However, the current economic crisis and the subsequent Wall Street bailout in 2008 have brought about a worldwide skepticism regarding the last four decades of economic restructuring and the culture that has accompanied it.In this edited volume, an international ensemble of scholars looks at neoliberalism, both as culture and political economy, in the various cinemas of the world.In essays encompassing the cinemas of Asia, Africa, Latin America, Europe, and the United States the authors outline how the culture and subjectivities engendered by neoliberalism have been variously performed, contested, and reinforced in these cinemas.The premise of this book is that the cultural and economic logic of neoliberalism, i.e., the radical financialization and market-driven calculations, of all facets of society are symptoms best understood by Marxist theory and its analysis of the central antagonisms and contradictions of capital.Taking a variety of approaches, ranging from political economy, ideological critique, the intersection of aesthetics and politics, social history and critical-cultural theory, this volume offers a fresh, broad-based Marxist analysis of contemporary film/media.Topics include: the global albeit antagonistic nature of neoliberal culture; the search for a new aesthetic and documentary language; the contestation between labor and capital in cultural producion; the political economy of hollywood, and questions of gender, sexuality, and the nation state in relation to neoliberalism.
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Abstract Art: A Global History
Taking a radically new approach to the history of abstract painting, Pepe Karmel applies a scholarly yet fresh vision to reconsider the history of abstraction from a global perspective and to demonstrate that abstraction is embedded in the real world.Moving beyond the orthodox canonical terrain of abstract art, he surveys artists from across the globe, examining their work from the point of view of content rather than form.Previous writers have approached the history of abstraction as a series of movements solving a series of formal problems.In contrast, Karmel focuses on the subject matter of abstract art, showing how artists have used abstract imagery to express social, cultural and spiritual experience. An introductory discussion of the work of the early modern pioneers of abstraction opens up into a completely new approach to abstract art based around five inclusive themes – the body, the landscape, the cosmos, architecture, and the repertory of man-made signs and patterns – each of which has its own chapter.Starting from a figurative example, Karmel works outwards to develop a series of narratives that go far beyond the established figures and movements traditionally associated with abstract art.Each narrative is complemented by a number of ‘featured’ abstract works, which provide an in-depth illustration of the breadth of Karmel’s distinctive vision. A wide-ranging examination of topics – from embryos to the surface of skin, from vortexes to waves, planets to star charts, towers to windows – is interwoven with detailed analysis of works by established figures like Joan Miró and Jackson Pollock alongside pieces by lesser-known artists such as Wu Guanzhong, Hilma af Klint and Odili Donald Odita.
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Global Mountain Cinema
This book is dedicated to the particular challenges and opportunities mountains raise for histories and theories of cinema.In German-speaking countries, the relationship between mountains and cinema has been largely reduced to a small canon of Alpine filmmakers whose work has been categorized as the Classical Bergfilm.However, from a transnational and transgeneric perspective, the field of mountain cinema is not only much richer and more diverse, but also addresses questions that are vital to film and media studies and inform postcolonial and environmental discourses in the Anthropocene.In this vein, our volume goes beyond national contexts to provide a timely and much-needed investigation into the generic innovations and intersectional negotiations of national, ethnic, and gender norms that take place in mountain cinema and its related media forms.
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Is GMX global?
Yes, GMX is a global email service provider that offers its services to users worldwide. It provides email accounts with various features and functionalities that cater to a diverse range of users across different countries. GMX's global presence allows users to access their email accounts from anywhere in the world, making it a convenient and accessible option for international users.
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What is the meaning of global labeling or global marking?
Global labeling or global marking refers to the process of assigning a unique label or mark to each element in a set or system, such as nodes in a network or pixels in an image. This labeling allows for easy identification and tracking of individual elements within the system, and is often used in computer vision, image processing, and network analysis. Global labeling ensures that each element is uniquely identified and can be easily referenced and manipulated in subsequent analysis or processing.
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What is the global behavior? What is the global behavior? Why is the global behavior like that?
The global behavior refers to the overall pattern or trend exhibited by a system or phenomenon on a global scale. It describes how the system behaves as a whole, rather than focusing on individual components. The global behavior is often influenced by various factors such as interactions between different parts of the system, external forces, feedback loops, and underlying principles governing the system's dynamics. Understanding the global behavior is crucial for predicting outcomes, making decisions, and implementing effective strategies in complex systems.
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What are the causes of the global economic crisis in history?
The global economic crisis in history has been caused by a combination of factors such as financial market speculation, excessive risk-taking by financial institutions, unsustainable levels of debt, and inadequate regulation and oversight of financial markets. Additionally, economic imbalances between countries, such as trade deficits and currency fluctuations, have also played a role in triggering global economic crises. These factors have often led to a domino effect where the collapse of one sector or country's economy has had ripple effects across the global economy, resulting in widespread economic downturns.
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Postwar Revisited : A Global Art History
Okwui Enwezor’s 2016 exhibition, “Postwar: Art Between the Pacific and the Atlantic, 1945–1965,” redefined the history of art produced in those two decades.Nearly a decade later, Postwar Revisited returns to these debates to present an image of a historical period in which Western conceptions of art, aesthetics, and philosophy are all thrown into intense flux after Auschwitz and Hiroshima while the cultural energies of decolonization generate myriad artistic and intellectual practices that re-engage the links that connect art to life itself.Focusing on modernist artists, artist collectives, and architects canonical to dissonant regional traditions as well as traveling exhibitions and patronage systems, the contributors produce a new understanding of emergent postwar global art.Provoking new ways of thinking, engaging, and narrating art history, Postwar Revisited is an essential reading for those interested in debates on global art history and global modernism, the intersections between art and decolonization, the cultural aspects of the Cold War and the Non-Aligned Movement, and modern and contemporary art more generally. Contributors. Iftikhar Dadi, Okwui Enwezor, Patrick D. Flores, Hal Foster, Boris Groys, Atreyee Gupta, Elizabeth Harney, Jennifer Josten, Vivian Li, Tara McDowell, Alexandra Munroe, Nada Shabout, Terry Smith, Jenni Sorkin, Ming Tiampo
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Global Culture after Gombrich : Art, Mind, World
Ernst Gombrich can be considered the most influential art historian of the 20th-century.Until now, however, the global impact of his work has been under-appreciated.Global Culture after Gombrich: Art, Mind, World presents essays by historians of art and culture - themselves students of Gombrich or associated with his scholarly home, the Warburg Institute - from Asia, the USA, and Europe. Subjects range from picture-making’s place in human evolution to the visual marginalia of the Renaissance, and from nineteenth-century modernism to the implications of the latest neuroscience for cultural history.Other chapters treat fundamental issues, such as the notion of connoisseurship, the fate of the idea of ‘culture’, or the cultural specificity of modernism.They range from theoretical broadsides – notably, a defence of the ‘intelligence’ of art - to intricate reflections – for example on caricature as a style. In showing how Gombrich initiated enquiries that have spread in numerous – and global – directions, Global Culture after Gombrich: Art, Mind, World makes a vital contribution to contemporary debates around the languages of art history and showcases the range of approaches and methods by which art history is, and has yet to be, written.
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The Mongol Empire in Global History and Art History
With the rise of projects to create global histories and art histories, the Mongol Empire is now widely taken as a fundamental watershed.In the later thirteenth century, the Mongol states reconfigured the basic zones of Eurasian trade and contact.For those they conquered, and for those who later overthrew them, new histories and narratives were needed to account for the Mongol rise. And as people, ideas, and commodities circulated in these vast and interconnected spaces, new types of objects and new visual languages were created, shifting older patterns of artistic production.The Mongol rise is now routinely cast as the first glimmering of an early modernity, defined as an ever-increasing acceleration in systems of contact, exchange, and cultural collision. Yet what is at stake in framing the so-called Pax Mongolica in this way?What was changed by the Mongol rise, and what were its lasting legacies?It is the goal of essays in this book to address these and other questions about the Mongol impact and their modern role, and to make these debates more widely available.Contributors include specialists of Mongol history and historiography as well as Islamic, East Asian, and European art, writing on topics from historical chronicles to contemporary historiography, and case studies from textile production to mapmaking and historical linguistics.
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Global Objects : Toward a Connected Art History
A bold reorientation of art history that bridges the divide between fine art and material culture through an examination of objects and their usesArt history is often viewed through cultural or national lenses that define some works as fine art while relegating others to the category of craft.Global Objects points the way to an interconnected history of art, examining a broad array of functional aesthetic objects that transcend geographic and temporal boundaries and challenging preconceived ideas about what is and is not art. Avoiding traditional binaries such as East versus West and fine art versus decorative art, Edward Cooke looks at the production, consumption, and circulation of objects made from clay, fiber, wood, and nonferrous base metals.Carefully considering the materials and process of making, and connecting process to product and people, he demonstrates how objects act on those who look at, use, and acquire them.He reveals how objects retain aspects of their local fabrication while absorbing additional meanings in subtle and unexpected ways as they move through space and time.In emphasizing multiple centers of art production amid constantly changing contexts, Cooke moves beyond regional histories driven by geography, nation-state, time period, or medium. Beautifully illustrated, Global Objects traces the social lives of objects from creation to purchase, and from use to experienced meaning, charting exciting new directions in art history.
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What is global behavior?
Global behavior refers to the overall pattern or trend exhibited by a system over time. It involves understanding how a system behaves as a whole, rather than focusing on individual components or events. By analyzing global behavior, we can gain insights into the long-term dynamics and outcomes of complex systems, such as ecosystems, economies, or social networks. Understanding global behavior is crucial for making informed decisions and predicting future developments in various fields.
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"Is Jeunesse Global reputable?"
Yes, Jeunesse Global is a reputable company. They have been in business for over a decade and have a strong track record of providing high-quality skincare and wellness products. The company has also received numerous awards and accolades for their products and business practices. Additionally, Jeunesse Global is a member of the Direct Selling Association, which further demonstrates their commitment to ethical business practices.
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What are global cities?
Global cities are major hubs of economic, cultural, and political activity that play a significant role in the global economy. These cities are characterized by their high levels of connectivity, diversity, and influence on international affairs. Global cities typically serve as centers for finance, commerce, innovation, and cultural exchange, attracting businesses, talent, and investment from around the world. Examples of global cities include New York, London, Tokyo, and Singapore.
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What is Global Studies?
Global Studies is an interdisciplinary field that examines the interconnectedness of societies, cultures, economies, and politics on a global scale. It explores the complex interactions and interdependencies between different regions and nations, as well as the impact of global processes on local communities. Global Studies also addresses issues such as globalization, international relations, human rights, environmental sustainability, and social justice. It provides a comprehensive understanding of the world and encourages critical thinking and analysis of global challenges and opportunities.
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