Products related to Image:
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Cinema I : The Movement-Image
Gilles Deleuze was one of the most influential figures in twentieth-century philosophy, well known for his works on the philosophy of art and for his master-works, Difference and Repetition and - with Felix Guattari - A Thousand Plateaus and Anti-Oedipus. Cinema I is the first volume of Deleuze’s revolutionary work on the theory of cinema (concluded in Cinema II, also available in the Bloomsbury Revelations series).Drawing on the philosophy of Henri Bergson, Deleuze identified his work as “a logic of the cinema”, setting out to “isolate certain cinematographic concepts” philosophically.To do this, he brings together diverse examples from a variety of major filmmakers, including Ingmar Bergman, Charlie Chaplin, Sergei Eisenstein and Alfred Hitchcock, among many others.
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Cinema II : The Time-Image
Gilles Deleuze was one of the most influential figures in twentieth-century philosophy, whose master-works, Difference and Repetition and – with Felix Guattari - A Thousand Plateaus and Anti-Oedipus have become one of the most widely-influential bodies of work in contemporary thought.Cinema II is Deleuze’s second work on cinema, completing the reassessment of the art form begun in Cinema I.Influenced by the philosophy of Henri Bergson, Deleuze here offers a compelling analysis of the cinematic treatment of time and memory, thought and speech.The work draws on examples from major film makers, including Federico Fellini, Alfred Hitchcock and Orson Welles, among many others.
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The Transhistorical Image : Philosophizing Art and its History
Why are visual artworks experienced as having intrinsic significance or normative depth?Why are some works of art better able to manifest this significance than others?In this 2002 book Paul Crowther argues that we can answer these questions only if we have a full analytic definition of visual art.Crowther's approach focuses on the pictorial image, broadly construed to include abstract work and recent conceptually-based idioms.The significance of art depends, however, essentially on the transhistorical nature of the pictorial image, the way in which its illuminative power is extended through historical transformation of the relevant artistic medium.Crowther argues against fashionable forms of cultural relativism, while at the same time showing why it is important that an appreciation of the history of art is integral to aesthetic judgment.
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Goa’s Bom Jesus as Visual Culture : The Basilica’s Architecture, Image, History and Identity
This book chronicles the visual history of the Basilica of Bom Jesus, one of the longest-surviving churches from Goa’s Portuguese colonial era.In the sixteenth century, this baroque church in Old Goa was constructed to house the sacred relics of St.Francis Xavier and is emblematic of Goa Dourada or Golden Goa. Despite their early modern origins, monuments like the Basilica continue to influence visual culture that pertains to Goa.Accordingly, this book uncovers the traces of architectural images of Goa’s sixteenth- and seventeenth-century monuments and conducts a genealogical study of how uses of religious architecture shift over time.Thus, even as the Basilica originally functioned to portray or recall a grand empire by evoking the notion of Goa Dourada, its iconicity has been employed in marking Goa’s difference from the rest of India thereafter.By employing an analysis of historical texts, illustrations, photography, film, and pageantry, this volume demonstrates how the image of the Basilica has been employed to create a discourse on Goan identity.In fact, right from the colonial period, when Goa was heralded as the Rome of the East, to the post-Portuguese period, when Goa became an idyllic destination for leisure tourism, architectural images of Bom Jesus have been central in shaping Goa’s identity. Goa’s Bom Jesus as Visual Culture will be useful to students and educators in the fields of architecture, history, anthropology, sociology, history of architecture, and colonial/postcolonial studies.Finally, the long history of a single monument that the book documents highlights how Goans have been shaping their unique culture.At the same time as Goans imbibed Portuguese and other European influences, they also domesticated and remade such colonial heritage in South Asian fashion and, in turn, contributed to global aesthetics.
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What books are there about art history and image analysis?
There are numerous books about art history and image analysis, including "Ways of Seeing" by John Berger, "Art and Visual Perception: A Psychology of the Creative Eye" by Rudolf Arnheim, "The Story of Art" by E.H. Gombrich, "Art in Theory 1900-2000: An Anthology of Changing Ideas" edited by Charles Harrison and Paul Wood, and "Image Analysis in Earth Sciences: Microstructures and Textures of Earth Materials" by John Wheeler. These books cover a wide range of topics within art history and image analysis, providing valuable insights and perspectives for those interested in the field.
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What is an art background image?
An art background image is a visual element that is used as the backdrop for a design or layout. It can be a photograph, painting, drawing, or digital artwork that adds visual interest and sets the tone for the overall composition. Art background images are often used in graphic design, web design, and advertising to enhance the aesthetic appeal and convey a specific mood or message. They can be used to create a sense of depth, texture, and atmosphere in a visual composition.
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Who invented the classic image of the alien?
The classic image of the alien, with a large hairless head, almond-shaped eyes, and a slight frame, is often attributed to artist H.R. Giger. Giger's design for the creature in the 1979 film "Alien" is iconic and has had a significant influence on popular culture's perception of extraterrestrial beings. Giger's creation has become synonymous with the idea of aliens in many people's minds.
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How to conduct an art image analysis?
To conduct an art image analysis, start by observing the artwork and taking note of its visual elements such as color, line, shape, texture, and composition. Consider the subject matter and symbolism within the artwork, and analyze how these elements contribute to the overall meaning and message of the piece. Research the artist's background and the historical context in which the artwork was created to gain a deeper understanding of its significance. Finally, interpret the artwork by discussing its formal qualities and contextualizing it within the broader art historical and cultural context.
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Cinema and the Political Imagination : Third Cinema and Its After-Image
Highlighting the importance of Third Cinema on twenty-first-century political filmmaking, this book examines films that have adopted Third Cinema’s experimental film techniques for the purpose of political intervention. The text explores the legacy of Third Cinema on more traditional cinema, and Robin Truth Goodman examines how Third Cinema’s cinematic reinvention of the image as a political springboard is still being utilized by contemporary filmmakers.In exploring the relationship between political subjectivity and cinematic practice through a variety of contemporary case studies, Goodman also looks at topics not previously examined by Third Cinema.The book focuses on the multiple internationalisms of borders and cities and treats gender as a vector through which different directions in a political field can be imagined.Finally, while linking a mid-twentieth-century tradition of filmmaking to contemporary problems of the political, the book considers the politics of representation through the representation of politics, reflecting on what makes an image political and what inspires us to identify with it. A compelling read for students and scholars interested in Third Cinema, Cinema and Politics, and Cinema and Subversion and anyone interested in exploring the connections between Third Cinema and contemporary political filmmaking.
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The Networked Image in Post-Digital Culture
This collection examines how the networked image establishes new social practices for the user and presents new challenges for cultural practitioners engaged in making, curating, teaching, exhibiting, archiving and preserving born-digital objects. The mode of vision and imaging, established through photography over the previous two centuries, has and continues to be radically reconfigured by a hybrid of algorithms, computing, programmed capture and display devices, and an array of online platforms.The image under these new conditions is filtered, fluid, fleeting, permeable, mobile and distributed and is changing our ways of seeing.The chapters in this volume are the outcome of research conducted at the Centre for the Study of the Networked Image (CSNI) and its collaboration with The Photographers’ Gallery over the last ten years.The book's contributors investigate radical changes in the meanings and values of hybridised media in socio-technical networks and speak to the creeping automation of culture through applications of AI, social media platforms and the financialisation of data. This interdisciplinary collection draws upon media and cultural studies, art history, art practice, photographic theory, user design, animation, museology and computer science as a way of making sense of the specific cultural consequences of the rapid succession of changes in image technologies and to bring the story up to date.It will be of particular interest to scholars and students of visual culture, media studies and photography.
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David Bowie and the Moving Image : A Standing Cinema
The central image of David Bowie’s “Life on Mars?” could have been ripped from his own experience: a child sits “hooked to the silver screen,” reliving fantastical scenes played out on film.Throughout his life, Bowie was similarly transfixed by the power of film.From his first film role in The Image to his final music video before his death, “Lazarus,” Bowie’s musical output has long been intrinsically linked to images.Analyzing Bowie’s music videos, planned film projects, acting roles, and depictions in film, David Bowie and the Moving Image provides a comprehensive view of Bowie’s work with film and informs our understanding of all areas of his work, from music to fashion to visual art.It enters the debate about Bowie’s artistic legacy by addressing Bowie as musician, actor, and auteur.
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Image Science : Iconology, Visual Culture, and Media Aesthetics
Almost thirty years ago, W. J. T. Mitchell's Iconology helped launch the interdisciplinary study of visual media, now a central feature of the humanities.Along with his subsequent Picture Theory and What Do Pictures Want?, Mitchell's now-classic work introduced such ideas as the pictorial turn, the image/picture distinction, the metapicture, and the biopicture.These key concepts imply an approach to images as true objects of investigation--”an "image science." Continuing with this influential line of thought, Image Science gathers Mitchell's most recent essays on media aesthetics, visual culture, and artistic symbolism.The chapters delve into such topics as the physics and biology of images, digital photography and realism, architecture and new media, and the occupation of space in contemporary popular uprisings.The book looks both backward at the emergence of iconology as a field and forward toward what might be possible if image science can indeed approach pictures the same way that empirical sciences approach natural phenomena. Essential for those involved with any aspect of visual media, Image Science is a brilliant call for a method of studying images that overcomes the "two-culture split" between the natural and human sciences.
Price: 24.00 £ | Shipping*: 3.99 £
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How can you enlarge a pixel art image?
To enlarge a pixel art image, you can use an image editing software like Photoshop or GIMP. When enlarging the image, make sure to maintain the pixelated look by using the nearest neighbor interpolation method. You can also manually redraw the image at a larger scale while keeping the original pixel art style intact. Another option is to use online tools or plugins specifically designed for enlarging pixel art images while preserving their quality.
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Can you help me with the art, culture, and history exam?
Of course! I can help you with the art, culture, and history exam by providing information, explanations, and answering any specific questions you may have. I can also assist in reviewing key concepts, important figures, and significant events related to these subjects. Feel free to ask me anything you need help with, and I'll do my best to assist you in preparing for your exam.
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What does your first pixel art image look like?
My first pixel art image is a simple design of a smiling sun against a blue sky background. The sun has a round yellow face with orange rays extending outwards. I used basic pixel art techniques to create the image, focusing on using limited colors and small squares to form the shapes. Overall, it is a cheerful and straightforward piece that helped me practice the fundamentals of pixel art.
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How can one conduct an image interpretation in art?
To conduct an image interpretation in art, one can start by observing the visual elements present in the artwork, such as color, composition, and texture. Next, one can analyze the subject matter and symbolism within the image, considering the historical and cultural context in which the artwork was created. Additionally, it is important to consider the artist's intentions and the potential impact of the artwork on the viewer. Finally, one can draw conclusions and interpretations based on these observations, taking into account personal perspectives and experiences.
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