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  • After Cinema : Storytelling in Contemporary Media Art
    After Cinema : Storytelling in Contemporary Media Art

    Discovering the potential of video and film artAn informative, inspiring, richly illustrated book on contemporary moving-image art.This book sets out to use the latest technologies to short-circuit the universally understandable language of the mass media and to make art once again a critical mirror of its time.Around sixty artists from more than twenty countries are presented in eight chapters, that address social, political, and scientific themes (racism, climate change, capitalism, eccentricity, sex, zeitgeist, and fashionable and frightening technologies) in a way that is playful and innovative.

    Price: 40.00 £ | Shipping*: 0.00 £
  • Performance / Media / Art / Culture : Selected Essays 1983–2018
    Performance / Media / Art / Culture : Selected Essays 1983–2018

    Experience the interdisciplinary performance scene of the 1980s and beyond through the eyes of one of its most compelling witnesses.Jacki Apple’s Performance / Media / Art / Culture traces performance art, multimedia theatre, audio arts and dance in the United States from 1983 to the present.Showcasing 35 years of Apple’s critical essays and reviews, the collection explores the rise and diversification of intermedia performance; how new technologies (or rehashed old technologies) influence American culture and contemporary life; the interdependence of pop and performance culture; and the politics of art and the performance of politics. Apple writes with a journalist’s attention to the immediacy of account and a historian’s attention to structural aesthetic and personal networks, resulting in a volume brimming with big ideas but grounded in concentrated reviews of individual performances.Many of the pieces featured in this collection originally appeared in small press journals and magazines that have now gone out of print.Preserved and republished here for current and future readers, they offer a rich portrait of performance at the end of the millennium.

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  • Cinema, Media, and Human Flourishing
    Cinema, Media, and Human Flourishing

    The Humanities and Human Flourishing series publishes edited volumes that explore the role of human flourishing in the central disciplines of the humanities, and whether and how the humanities can increase human happiness. This edited volume examines the role of cinema and media in the context of human flourishing.The history of cinema is rife with films and genres in which positive cinematic narratives stand out as remarkable and defining achievements.Since the 1930s through the superhero movies of today, from You Can't Take It with You or Toy Story to literary adaptations like Midsummer Night's Dream or Clueless, films have celebrated the resilience and triumphs of people pursuing a life of happiness and contentment.Yet, in the majority of these films, various crises shadow these pursuits, adding obstacles and detours that suggest films require a narrative drama of conflict, out of which human well-being and flourishing eventually emerge.This volume covers a multitude of historical periods and topics, including discussions of the Aristotelian and classical models of a "good life" that inform animated fairy tales today; how 1930s French and Hollywood films responded to the dire need for productive human relationships in a turbulent decade; the polemical positions of black film criticism through the lens of James Baldwin; a discussion of contemporary filmic quests for happiness; the challenges for women filmmakers today in mapping the values of their own world; the scientific, psychological, and philosophical base for human value; and the shifting media frames of modern society and selves.Cinema, Media Studies, and Human Flourishing features a diverse array of approaches to understanding human flourishing through cinematic representations of the journey to a fulfilling life.

    Price: 21.49 £ | Shipping*: 3.99 £
  • Race, Culture and Media
    Race, Culture and Media

    How do media ‘make’ race? How do legacies of empire shape our understandings of race and media?How does racism structure the media industries? Is the internet an inherently white space? Understanding the relationship between race, culture and media has never been more important.From the demonisation of Muslims to rampant new forms of racism on digital platforms, media are central to understanding how race is both constructed and experienced in everyday life. Yet media are key to resisting racism, too. While they can silence and stereotype us, they can also enable us to cut across difference, to contest and mobilise, and to create genuine community. Race, Culture and Media is a critical, impassioned and accessible exploration of this complex relationship. Anamik Saha outlines the theories, concepts and research you need to know in order to make sense of race, culture and media today - challenging you to move beyond simplistic notions of ‘diversity’ to really engage with issues of both power and participation. It is essential reading for students and researchers across media, communication and cultural studies. Dr Anamik Saha is Senior Lecturer in Media and Communications at Goldsmiths, University of London, where he convenes the MA Race, Media and Social Justice.

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  • What are the differences between a graphic designer, a media designer, and an art director?

    A graphic designer focuses on creating visual concepts and designs for various mediums such as print, digital, and advertising. They often work on projects like logos, brochures, and website layouts. A media designer, on the other hand, specializes in creating digital content for online platforms, including websites, social media, and multimedia presentations. They may also work with animation and video editing. An art director is responsible for overseeing the visual aspects of a project, including the overall design and creative direction. They often work with a team of designers and artists to ensure that the visual elements align with the project's goals and brand identity.

  • What is the copy protection for Media Player Classic?

    Media Player Classic does not have built-in copy protection. It is a free and open-source media player that does not include any DRM or copy protection features. This means that users are able to play media files without any restrictions or limitations. However, it is important to note that the media files themselves may still be protected by copyright laws, so users should ensure they have the necessary rights to access and use the media they are playing.

  • What art is available on stock media sites?

    Stock media sites offer a wide range of art including photography, illustrations, vector graphics, videos, and audio files. These can cover a variety of subjects such as nature, landscapes, people, animals, abstract art, and more. Additionally, there are also digital art, 3D models, and animations available for use in various creative projects. These sites provide a vast selection of art to cater to the diverse needs of designers, marketers, and content creators.

  • Can you help me with the art, culture, and history exam?

    Of course! I can help you with the art, culture, and history exam by providing information, explanations, and answering any specific questions you may have. I can also assist in reviewing key concepts, important figures, and significant events related to these subjects. Feel free to ask me anything you need help with, and I'll do my best to assist you in preparing for your exam.

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  • Anti-Feminisms in Media Culture
    Anti-Feminisms in Media Culture

    This important and timely collection examines the troubling proliferation of anti-feminist language and concepts in contemporary media culture. Edited by Michele White and Diane Negra, these curated essays offer a critical means of considering how contemporary media, politics, and digital culture function, especially in relation to how they simultaneously construct and displace feminist politics, women’s bodies, and the rights of women and other disenfranchised subjects.The collection explores the simplification and disparagement of feminist histories and ongoing feminist engagements, the consolidation of all feminisms into a static and rigid structure, and tactics that are designed to disparage women and feminists as a means of further displacing disenfranchised people’s identities and rights.The book also highlights how it is becoming more imperative to consider how anti-feminisms, including hostilities towards feminist activism and theories, are amplified in times of political and social unrest and used to instigate violence against women, people of color, and LGBTQIA+ individuals. A must-read for students and scholars of media, culture and communication studies, gender studies, and critical race studies with an interest in feminist media studies.

    Price: 35.99 £ | Shipping*: 0.00 £
  • Anti-Feminisms in Media Culture
    Anti-Feminisms in Media Culture

    This important and timely collection examines the troubling proliferation of anti-feminist language and concepts in contemporary media culture. Edited by Michele White and Diane Negra, these curated essays offer a critical means of considering how contemporary media, politics, and digital culture function, especially in relation to how they simultaneously construct and displace feminist politics, women’s bodies, and the rights of women and other disenfranchised subjects.The collection explores the simplification and disparagement of feminist histories and ongoing feminist engagements, the consolidation of all feminisms into a static and rigid structure, and tactics that are designed to disparage women and feminists as a means of further displacing disenfranchised people’s identities and rights.The book also highlights how it is becoming more imperative to consider how anti-feminisms, including hostilities towards feminist activism and theories, are amplified in times of political and social unrest and used to instigate violence against women, people of color, and LGBTQIA+ individuals. A must-read for students and scholars of media, culture and communication studies, gender studies, and critical race studies with an interest in feminist media studies.

    Price: 125.00 £ | Shipping*: 0.00 £
  • Communicating Fashion : Clothing, Culture, and Media
    Communicating Fashion : Clothing, Culture, and Media

    Winner of the John G. Cawelti Award for Best Textbook / PrimerHow did you decide what to wear today?Did you base your selection on comfort or style? Did you want to blend in or stand out — or was it just the cleanest outfit available?We each make these decisions every day, reflecting how we view ourselves and impacting how others see us.Our choices matter — not just to us personally, but also to the magazine editors, brand ambassadors and trend forecasters who make a living by selling to us.Communicating Fashion introduces key concepts from the intersecting worlds of fashion and communication studies to connect how we all use clothing to express ourselves and how media systems support that process.In doing so, Myles Ethan Lascity explores social, cultural and ethical issues through the work of fashion journalism, brand promotions and the growing role of online influencers as well as the impact of film, television and art on self-image and expression. Key topics:- Advertising, Branding and Fashion Retail- Clothing, Art and Cultural Significance- Clothing as Group and Cultural Norms- Clothing, Identity and Interpersonal Communication- Fashion News and Tastemaking- Fashion, Social Media and Influencers- Meaning within the Fashion System- On-screen Clothing

    Price: 25.99 £ | Shipping*: 3.99 £
  • The Culture Box : Museums as Media
    The Culture Box : Museums as Media

    In The Culture Box, Harley Parker applies Marshall McLuhan’s medium theory to the museum, analyzing the museum as the site of many media and specifying the ways in which designer-communicators can engage in inter-sense design to connect audiences and artifacts.Parker argues that museums should be in the business of retraining the sensory perception of visitors, and that they can foster cultural engagement, participation, and empathy.In order to accomplish this, he recommends the construction of what he calls a “new centre,” emphasizing both “new” and “news,” a small “newseum,” as he put it.Parker’s vision of such a building would be built adjacent to any existing large prestige museum, and would always consist of three exhibits: a current public exhibition, an exhibition in process, and an area for gathering materials for a forthcoming exhibition.The newseum would be a flexible space inside and out, where many minds could meet to discuss, debate, and analyze contemporary events.Parker sought participation from across generations, cultures, and worlds.This critical edition of The Culture Box revives Parker’s unpublished manuscript, one that promised to be a key contribution to the Toronto School of Communication before it was lost for some fifty years.Parker’s daughter, Margaret Parker, discovered the full manuscript (a typescript of 350 pages) inside a briefcase among Parker’s personal belongings.Working closely with Parker’s estate, Gary Genosko has edited, annotated, and introduced this rediscovered manuscript.Genosko presents an overview of the book’s leading ideas, provides references to Parker’s source materials, and offers explanatory footnotes to the salient texts by McLuhan and others.Scholars in communication, media, and curatorial studies will benefit from Parker’s book, as will those interested in sensory design and McLuhan studies.

    Price: 23.99 £ | Shipping*: 3.99 £
  • How is high culture defined through the contempt of the media?

    High culture is often defined through the contempt of the media by being portrayed as elitist, exclusive, and disconnected from the general public. The media often perpetuates the idea that high culture is only accessible to a select few who are educated and wealthy, creating a sense of disdain or ridicule towards those who do not fit this mold. This portrayal can lead to the marginalization of high culture and reinforce the idea that it is unattainable or irrelevant to the majority of people. Additionally, the media may focus more on popular or commercial culture, further distancing high culture from mainstream attention and perpetuating the idea that it is not valued or understood by the general public.

  • What are the artifacts in the image in Media Player Classic?

    The artifacts in the image in Media Player Classic are visual distortions or anomalies that can occur during video playback. These artifacts can include pixelation, blurring, color banding, stuttering, or ghosting effects. They are typically caused by issues such as low video quality, codec problems, insufficient hardware resources, or corrupted video files.

  • What are artistic means and media in relation to art?

    Artistic means refer to the techniques, methods, and tools that artists use to create their work, such as painting, sculpture, or photography. On the other hand, artistic media are the materials or substances used by artists to create their art, such as oil paint, clay, or digital software. Together, artistic means and media play a crucial role in the creative process, allowing artists to express their ideas and emotions in a tangible form.

  • What happens after the Literature Art Media program in Konstanz?

    After completing the Literature Art Media program in Konstanz, graduates have various career opportunities available to them. They can pursue further studies at the graduate level, such as a Master's or PhD program in a related field. Alternatively, they can enter the workforce in fields such as publishing, journalism, advertising, public relations, or cultural management. The interdisciplinary nature of the program equips graduates with a diverse skill set that can be applied to a wide range of professions within the arts and media industries.

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