Products related to Motion:
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Contemporary Art Cinema Culture in China
How do contemporary Chinese audiences access art cinema?What are the alternative channels for the distribution and exhibition of art cinema in China?How is Chinese art cinema changing with the booming of internet media and commodity culture in the 21st century? To answer these questions, Xiang Fan explores the dynamic networks of art cinema in China in the 21st century, highlighting the cultural practices of intermediaries such as independent programmers, internet critics, and fan translators.Offering insights gleaned from original ethnographic research, Fan reveals how these intermediary practitioners think about cinema, negotiate judgement and appreciation, construct a discourse of value and taste, and most importantly, constitute a coordinated and interrelated network for the sharing of art cinema.She argues that although their motivation was derived from a cinephilia seeking to forge an alternative mode of distribution and reception, the ‘new’ cinema culture they have produced simultaneously negotiates a subtly complicit relationship with authoritative and market forces.In doing so, she offers an original interdisciplinary perspective on contemporary art cinema culture in Chinese society.
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Art in Motion
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Lucretius III : A History of Motion
Offers a new theory of history through an original reading of Lucretius' De Rerum NaturaFor Lucretius, history means something surprisingly different than we ordinarily think.Instead of thinking of history in terms of time, he thought of it in terms of motion.This book unpacks the implications of this unique kinetic philosophy of history.In the final volume of his trilogy on De Rerum Natura, Thomas Nail argues that in books five and six, Lucretius described a world born to die.What does it mean to live in such a world? De Rerum Natura provides a guidebook to answering this question.
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Biological Motion : A History of Life
A transdisciplinary investigation of biological motion as the most profound definition of living existenceBiological Motion studies the foundational relationship between motion and life. To answer the question, ';What is Life?, Wellmann engages in a transdisciplinary investigation of motion as the most profound definition of living existence. For decades, information and structure have predominated the historiography of the life sciences with its prevailing focus on DNA structure and function. Now more than ever, motion is a crucial theme of basic biological research. Tracing motion from Aristotle's animal soul to molecular motors, to medical soft robotics and mathematical analysis, prize-winning historian of science, Janina Wellmann locates biological motion at the intersection of knowledge domains and scientific and cultural practices. She offers signposts to mark the sites where researchers, technologies, ideas, and practices opened up new paths in the constitution of the phenomenon of motion. An ambitious rethinking of the life sciences, Biological Motion uncovers the secret life of movement and offers a new account of what it means to be alive.
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What are motion lines in art?
Motion lines in art are lines or marks that are used to convey a sense of movement or action within a still image. They are often used in comic books, cartoons, and other forms of visual storytelling to show the path of a moving object or character. Motion lines can vary in style and intensity, and are typically drawn in the direction of the movement to create a dynamic and energetic effect in the artwork.
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Why is uniform circular motion an accelerated motion?
Uniform circular motion is considered an accelerated motion because the direction of the velocity vector is constantly changing, even though the magnitude of the velocity may remain constant. This change in direction results in an acceleration towards the center of the circle, known as centripetal acceleration. This acceleration is necessary to keep an object moving in a circular path, and it is what distinguishes uniform circular motion from linear motion. Therefore, even though the speed may be constant, the change in direction of the velocity vector results in an acceleration, making uniform circular motion an accelerated motion.
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Is a circular motion a uniform or uniformly accelerated motion?
A circular motion is a uniformly accelerated motion. This is because the velocity of an object in circular motion is constantly changing as it moves around the circle, due to the change in direction of its velocity vector. This change in velocity indicates that the motion is not uniform, but rather uniformly accelerated. The acceleration in circular motion is directed towards the center of the circle and is called centripetal acceleration.
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How does the vertical motion occur in horizontal projectile motion?
In horizontal projectile motion, the vertical motion occurs due to the force of gravity acting on the object. While the object is moving horizontally, it is also being pulled downward by the force of gravity, causing it to follow a curved path. As a result, the object's vertical position changes over time, even though its horizontal velocity remains constant. This combination of horizontal and vertical motion results in the characteristic parabolic trajectory of a projectile.
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History in Contemporary Art and Culture
This unique book offers guidance for contemporary art practices in dialogue with history, story, memory, and tradition. Artist and lecturer Paul O’Kane uses innovative and creative means, informed by a storytelling tradition as well as academic research, to make connections between contemporary art, history, and the past.The aim of this book is to give readers a sense of the profundity of historical questions, while making the challenge inviting, welcoming and manageable.It is designed to set out an expansive, inclusive and diverse range of potential directions, and speculations from which students can develop personal paths of enquiry.This is achieved by writing and designing the text in an accessible way and providing a range of ‘ways-in’.A series of carefully chosen references, examples, key texts, and possible essay questions are chosen and pitched at various levels and can be close-read, discussed, digested, and responded to either verbally or in the form of a presentation or essay. Written primarily for a broad range of fine arts students, this book encourages readers to reconsider their studies and art practices in light of a historical perspective, enhanced by creative contributions from artists, imaginative philosophers, and influential cultural commentators.
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In Motion : Art and Football
English edition This catalogue provides a spectacular overview of painting on the theme of football in European artistic modernism.Here, painting gets to the bottom of football’s mystique. And vice versa, since football with its aesthetics, dynamics, rites, and contradictions inspires artists and reveals innovative, surprising perspectives and artistic possibilities.This culminates in impressive interplay between the two worlds.Accessing 20th-century European art through football and deciphering the fascinating as well as contradictory game of football as a European phenomenon through the perspective of modernist painting uncovers new knowledge in both fields. More than 100 works of art from national and international collections are examined.The catalogue is designed along the same conceptual lines as the European Championship itself: each nation participating in the EURO 2024 is represented by at least one artist, so underlining the fundamental concept of a diverse but united Europe. A new standard work, and a cultural contribution to the 2024 European Football Championship in Germany Exhibition: Deutsches Fußballmuseum, Dortmund, May 27, 2024 to January 7, 2025 Look inside Artists: Sybil Andre, Dieter Asmus, Willi Baumeister, Cecil Walter Hardy Beaton, Peter Blake, Umberto Boccioni, Carlo Carrà, Ithell Colquhoun, Charles Cundall, Salvador Dalí, Giulio D’Anna, Raoul de Keyser, Nicolas de Staël, Alexander Deineka, Robert Delaunay, Brendan Ellis, George Eisler, Paul Feiler, Ludvig Find, Hubert Andrew Freeth, Fritz Genkinger, Harald Giersing, John Heartfield, Bernhard Heisig, Robert Henderson Blyth, Peter Howson, Hundertwasser, Miloš Jiránek, Ilja Kabakow, Ernst Ludwig Kirchner, Paul Klee, Pyke Koch, Maria Lassnig, Karel Lek, Elizer Lissitzky, Rene Magritte, Jarmo Mäkila, Kasimir Malewitsch, Colin Middleton, Joan Miró, Omer Mujadzic, Peter Nagel, František Xaver Naske, Paul Nelson, Rainer Neumaier, Christopher Nevinson, Felix Nussbaum, Claes Oldenburg, Wolfgang Petrik, Pablo Picasso, Sigmar Polke, Peter Rohn, Alexander Nikolajewitsch Samochwalow, Thorsten Schlüter, Valentin Sidorov, Jens Sondergaard, Warwara Fjodorowna Stepanowa, Ivan Tabakovic, Lawrence Tonybee, Bart van der Leck, Alan Welsford, Thomas Webster, Rik Wouters et al.
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Classic Human Anatomy in Motion
Written by a long-time expert on drawing and painting human anatomy, Classic Human Anatomy in Motion offers artists everything they need to realistically draw the human figure as it is affected by movement.Written in a friendly style, the book is illustrated with hundreds of life drawing studies (both quick poses and long studies), along with charts and diagrams showing the various anatomical and structural components.This comprehensive manual features five distinct sections, each focusing on a different aspect of the human figure: bones and joint movement, muscle groups, surface form and soft tissue characteristics, structure, and movement.Each chapter builds an artistic understanding of how motion transforms the human figure and can create a sense of expressive vibrancy in one's art.
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Designing the BBC : A History of Motion Graphics
Designing Television provides an insider perspective on the groundbreaking work of the BBC's Television Graphic Design Department from 1954-2005.Drawing on the unique holdings of the BBC Motion Graphics Archive, and first-hand perspectives of former BBC staff, this book provides a timely overview of over 50 years of the BBC's innovative practice and lasting impact in the field of television motion graphics.Taking a thematic approach, the volume considers the graphic design of a range of TV genres, including household favourites such as Doctor Who; sports programming such as Grandstand and big sporting events like the Olympics; children's television including Grange Hill; popular science programmes such as Tomorrow’s World; news output such as The Nine O'Clock News, Election Night specials, the weather and the channel idents of BBC 2.The book brings together BBC staff with leading scholars in design and television studies who investigate the Archive, bringing to life cultural memories, and consider the Graphic Design Department's lasting impact, both at the time and today.
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What is the difference between linear motion and uniform linear motion?
Linear motion refers to the movement of an object in a straight line, while uniform linear motion specifically refers to the movement of an object in a straight line at a constant speed. In linear motion, the object may change its speed or direction, whereas in uniform linear motion, the object maintains a constant speed and direction. Uniform linear motion is a specific type of linear motion that has a consistent velocity throughout the motion.
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What is the uniform motion and the uniformly accelerated motion here?
In the given scenario, the uniform motion refers to the car traveling at a constant speed of 60 km/h for 2 hours. This means the car is moving at a constant velocity without any change in speed or direction. The uniformly accelerated motion occurs when the car increases its speed from 60 km/h to 90 km/h in 10 seconds. This represents a constant acceleration, as the car's velocity is changing at a uniform rate over time.
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What is the difference between uniform motion and uniformly accelerated motion?
Uniform motion is when an object travels in a straight line at a constant speed, while uniformly accelerated motion is when an object's velocity changes at a constant rate. In uniform motion, the object covers equal distances in equal intervals of time, while in uniformly accelerated motion, the object's velocity increases or decreases by the same amount in each unit of time. Uniform motion can be represented by a straight line on a distance-time graph, while uniformly accelerated motion is represented by a curved line.
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Can you play Wii Play Motion without the Motion Plus remote?
No, Wii Play Motion requires the use of the Wii MotionPlus accessory in order to play. The game utilizes the enhanced motion-sensing capabilities of the MotionPlus remote to accurately track player movements and gestures. Without the MotionPlus accessory, the game may not function properly or be playable.
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