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Culture is Not an Industry : Reclaiming Art and Culture for the Common Good
Culture is at the heart of what it means to be human.But twenty-five years ago, the British government rebranded art and culture as ‘creative industries’, valued for their economic contribution, and set out to launch the UK as the creative workshop of a globalised world. Where does that leave art and culture now? Facing exhausted workers and a lack of funding and vision, culture finds itself in the grip of accountancy firms, creativity gurus and Ted Talkers.At a time of sweeping geo-political turmoil, culture has been de-politicised, its radical energies reduced to factors of industrial production.This book is about what happens when an essential part of our democratic citizenship, fundamental to our human rights, is reduced to an industry. Culture is not an industry argues that art and culture need to renew their social contract and re-align with the radical agenda for a more equitable future.Bold and uncompromising, the book offers a powerful vision for change. -- .
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Contemporary Art Cinema Culture in China
How do contemporary Chinese audiences access art cinema?What are the alternative channels for the distribution and exhibition of art cinema in China?How is Chinese art cinema changing with the booming of internet media and commodity culture in the 21st century? To answer these questions, Xiang Fan explores the dynamic networks of art cinema in China in the 21st century, highlighting the cultural practices of intermediaries such as independent programmers, internet critics, and fan translators.Offering insights gleaned from original ethnographic research, Fan reveals how these intermediary practitioners think about cinema, negotiate judgement and appreciation, construct a discourse of value and taste, and most importantly, constitute a coordinated and interrelated network for the sharing of art cinema.She argues that although their motivation was derived from a cinephilia seeking to forge an alternative mode of distribution and reception, the ‘new’ cinema culture they have produced simultaneously negotiates a subtly complicit relationship with authoritative and market forces.In doing so, she offers an original interdisciplinary perspective on contemporary art cinema culture in Chinese society.
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Cinema Love : 'Not just an extraordinary debut but a future classic' Jessamine Chan
*Shortlisted for the Andrew Carnegie Medal of Excellence in Fiction and Nonfiction*A stunning and compelling novel for fans of PACHINKO, BROKEBACK MOUNTAIN, and SHUGGIE BAIN'The pages crackle with the tension of a Hollywood thriller . . . an enticing, engaging read' The Times'Cinema Love is not just an extraordinary debut but a future classic' Jessamine Chan, author of The School for Good MothersFor over thirty years, Old Second and Bao Mei have cobbled together a meagre existence in New York City's Chinatown.But unlike other couples, these two share an unusual past.In rural Fuzhou, before they emigrated, they frequented the Workers' Cinema, where gay men cruised for love. While classic war films played, Old Second and his fellow countrymen found intimacy in the privacy of the Workers' Cinema's screening rooms.Elsewhere, in the box office, Bao Mei sold tickets to closeted men - guarding their secrets and finding her own happiness with the projectionist.But when secrets are unveiled, they set in motion a series of haunting events that propel Old Second and Bao Mei towards an uncertain future in America. Spanning three timelines - post-socialist China, 1980s Chinatown, and contemporary New York - Cinema Love is a tender epic about men and women who find themselves in forbidden and frustrated relationships as they grapple with the past and their unspoken desires. 'An ambitious and promising debut' Irish Times'I loved it.Cinema Love fizzes with energy. The characters are rich and warm and the prose is perfect.Jiaming Tang is a remarkable new voice' Fiona Mozley, author of Booker-shortlisted Elmet'A tender and enrapturing feat of storytelling' Vanessa Chan, author of The Storm We Made
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Cinema Love : 'Not just an extraordinary debut but a future classic' Jessamine Chan
*Shortlisted for the Andrew Carnegie Medal of Excellence in Fiction and Nonfiction*A stunning and compelling novel for fans of PACHINKO, BROKEBACK MOUNTAIN, and SHUGGIE BAIN'The pages crackle with the tension of a Hollywood thriller . . . an enticing, engaging read' The Times'Cinema Love is not just an extraordinary debut but a future classic' Jessamine Chan, author of The School for Good MothersFor over thirty years, Old Second and Bao Mei have cobbled together a meagre existence in New York City's Chinatown.But unlike other couples, these two share an unusual past.In rural Fuzhou, before they emigrated, they frequented the Workers' Cinema, where gay men cruised for love. While classic war films played, Old Second and his fellow countrymen found intimacy in the privacy of the Workers' Cinema's screening rooms.Elsewhere, in the box office, Bao Mei sold tickets to closeted men - guarding their privacy and finding her own happiness with the projectionist.But when their secrets are unveiled, they set in motion a series of haunting events that propel Old Second and Bao Mei towards an uncertain future in America. Spanning three timelines - post-socialist China, 1980s Chinatown, and contemporary New York - Cinema Love is a tender epic about men and women who find themselves in forbidden and frustrated relationships as they grapple with the past and their unspoken desires. 'An ambitious and promising debut' Irish Times'I loved it.Cinema Love fizzes with energy. The characters are rich and warm and the prose is perfect.Jiaming Tang is a remarkable new voice' Fiona Mozley, author of Booker-shortlisted Elmet'A tender and enrapturing feat of storytelling' Vanessa Chan, author of The Storm We Made
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Can you help me with the art, culture, and history exam?
Of course! I can help you with the art, culture, and history exam by providing information, explanations, and answering any specific questions you may have. I can also assist in reviewing key concepts, important figures, and significant events related to these subjects. Feel free to ask me anything you need help with, and I'll do my best to assist you in preparing for your exam.
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Which cities, not among the most expensive to live in, are best suited for quality of life, nature, art, culture, and history?
Cities like Prague, Czech Republic, offer a high quality of life with a rich history, stunning architecture, and vibrant arts and culture scene. Reykjavik, Iceland, is another city known for its natural beauty, outdoor activities, and strong artistic community. Kyoto, Japan, is renowned for its historical temples, traditional tea houses, and beautiful gardens, making it a great choice for those interested in history and culture. These cities provide a balance of nature, art, culture, and history without the high cost of living found in some other major cities.
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Which cities, not considered among the most expensive to live in, are best suited for quality of life, nature, art, culture, and history?
Cities like Portland, Oregon, and Asheville, North Carolina, are known for their high quality of life, abundant nature, vibrant art scenes, rich cultural offerings, and deep historical roots. Portland offers easy access to outdoor activities, a thriving arts community, and a strong focus on sustainability. Asheville boasts a diverse arts and music scene, stunning natural surroundings in the Blue Ridge Mountains, and a rich history as a center for arts and crafts. Both cities provide a unique blend of nature, art, culture, and history without the high cost of living found in more expensive cities.
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What are the advantages and disadvantages of not providing money for art and culture?
The advantages of not providing money for art and culture include saving government funds and allocating resources to other pressing needs such as healthcare and education. It also encourages artists and cultural institutions to seek alternative sources of funding, fostering creativity and innovation. However, the disadvantages include the potential loss of cultural heritage and identity, as well as the negative impact on the economy due to the decline of the creative industry. Additionally, without financial support, many artists and cultural organizations may struggle to survive, leading to a reduction in the availability of artistic and cultural experiences for the public.
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I'm Not Your Type I'm Not Inflatable classic fit.
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Not Just Green, Not Just White : Race, Justice, and Environmental History
Not Just Green, Not Just White brings together a group of diverse contributors to explore the rich intersections between race and environment.Together these contributors demonstrate that the field of environmental history, with its core questions and critical engagement with the nonhuman world, provides a fertile context for understanding racism and ongoing colonialism as power structures in the United States. Earlier historiography has defined environmental history as the study of the changing relationships between humans and the environment—or nature.This volume aims to redefine the field, arguing that neither humans nor environment is a monolithic actor in any given story.Both humans and the environment are diverse, and often the environment causes conflict between and among peoples, leaving unequal access and power in its wake.Just as important, these histories often reveal how, despite unequal power, those who carry less privilege still persist. Together these essays demonstrate the promise of the field of environmental history and reveal how, when practitioners in the field decide to move away from “green” and “white” topics, they will be able to explain much more about our collective past than anyone ever imagined.
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Not Just Green, Not Just White : Race, Justice, and Environmental History
Not Just Green, Not Just White brings together a group of diverse contributors to explore the rich intersections between race and environment.Together these contributors demonstrate that the field of environmental history, with its core questions and critical engagement with the nonhuman world, provides a fertile context for understanding racism and ongoing colonialism as power structures in the United States. Earlier historiography has defined environmental history as the study of the changing relationships between humans and the environment—or nature.This volume aims to redefine the field, arguing that neither humans nor environment are monolithic actors in any given story.Both humans and the environment are diverse, and often the environment causes conflict between and among peoples, leaving unequal access and power in its wake.Just as important, these histories often reveal how, despite unequal power, those who carry less privilege still persist. Together these essays demonstrate the promise of the field of environmental history and reveal how, when practitioners in the field decide to move away from “green” and “white” topics, they will be able to explain much more about our collective past than anyone ever imagined.
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Not That Bad : Dispatches from Rape Culture
Edited and with an introduction by Roxane Gay, the New York Times bestselling and deeply beloved author of Bad Feminist and Hunger, this anthology of first-person essays tackles rape, assault, and harassment head-on. Vogue, 10 of the Most Anticipated Books of Spring 2018 Harper's Bazaar, 10 New Books to Add to Your Reading List in 2018Elle, 21 Books We're Most Excited to Read in 2018Boston Globe, 25 books we can't wait to read in 2018Huffington Post, 60 Books We Can't Wait to Read in 2018Buzzfeed, 33 Most Exciting New Books of 2018In this valuable and timely anthology, cultural critic and bestselling author Roxane Gay collects original and previously published pieces that address what it means to live in a world where women have to measure the harassment, violence and aggression they face, and where sexual-abuse survivors are 'routinely second-guessed, blown off, discredited, denigrated, besmirched, belittled, patronized, mocked, shamed, gaslit, insulted, bullied' for speaking out.Highlighting the stories of well-known actors, writers and experts, as well as new voices being published for the first time, Not That Bad covers a wide range of topics and experiences, from an exploration of the rape epidemic embedded in the refugee crisis to first-person accounts of child molestation and street harrassment. Often deeply personal and always unflinchingly honest, this provocative collection both reflects the world we live in and offers a call to arms insisting that 'not that bad' must no longer be good enough.
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Why is the director not answering?
There could be several reasons why the director is not answering. It's possible that the director is busy in a meeting or is currently unavailable. Another reason could be that the director is considering the question and taking time to formulate a thoughtful response. Additionally, the director may not have seen the question yet and will respond at a later time.
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Is one unintelligent and uncultured if one is not interested in culture and history?
Not necessarily. Intelligence and culture are subjective concepts, and different people have different interests and priorities. One can be intelligent and knowledgeable in other areas without being interested in culture and history. It's important to respect and understand that individuals have diverse interests and strengths, and that intelligence and culture can manifest in various ways.
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What are art and culture events?
Art and culture events are gatherings or activities that showcase various forms of artistic expression, such as visual arts, music, dance, theater, literature, and more. These events provide a platform for artists to share their work with the public and engage in creative dialogue. They also offer opportunities for individuals to immerse themselves in different cultural experiences, broaden their perspectives, and appreciate the diversity of human expression. Overall, art and culture events play a vital role in enriching communities, fostering creativity, and promoting understanding and connection among people.
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Do you find art and culture important?
Yes, I find art and culture to be extremely important. Art and culture are essential for expressing and preserving the diversity of human experiences and perspectives. They also play a crucial role in fostering creativity, critical thinking, and empathy. Additionally, art and culture contribute to the economy and tourism, and can serve as a powerful tool for social change and community development. Overall, art and culture enrich our lives and help us understand and appreciate the world around us.
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