Products related to Era:
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A Social History of Iranian Cinema, Volume 4 : The Globalizing Era, 1984–2010
Hamid Naficy is one of the world's leading authorities on Iranian film, and A Social History of Iranian Cinema is his magnum opus.Covering the late nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, it explains Iran's peculiar cinematic production modes, as well as the role of cinema and media in shaping modernity and a modern national identity in Iran.This comprehensive social history unfolds across four volumes, each of which can be appreciated on its own.The extraordinary efflorescence in Iranian film, TV, and the new media since the consolidation of the Islamic Revolution animates Volume 4.During this time, documentary films proliferated. Many filmmakers took as their subject the revolution and the bloody eight-year war with Iraq; others critiqued postrevolution society.The strong presence of women on screen and behind the camera led to a dynamic women's cinema.A dissident art-house cinema—involving some of the best Pahlavi-era new-wave directors and a younger generation of innovative postrevolution directors—placed Iranian cinema on the map of world cinemas, bringing prestige to Iranians at home and abroad.A struggle over cinema, media, culture, and, ultimately, the legitimacy of the Islamic Republic, emerged and intensified.The media became a contested site of public diplomacy as the Islamic Republic regime as well as foreign governments antagonistic to it sought to harness Iranian popular culture and media toward their own ends, within and outside of Iran.The broad international circulation of films made in Iran and its diaspora, the vast dispersion of media-savvy filmmakers abroad, and new filmmaking and communication technologies helped to globalize Iranian cinema. A Social History of Iranian CinemaVolume 1: The Artisanal Era, 1897–1941Volume 2: The Industrializing Years, 1941–1978Volume 3: The Islamicate Period, 1978–1984Volume 4: The Globalizing Era, 1984–2010
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A Social History of Iranian Cinema, Volume 1 : The Artisanal Era, 1897-1941
Hamid Naficy is one of the world’s leading authorities on Iranian film, and A Social History of Iranian Cinema is his magnum opus.Covering the late nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, it explains Iran’s peculiar cinematic production modes, as well as the role of cinema and media in shaping modernity and a modern national identity in Iran.This comprehensive social history unfolds across four volumes, each of which can be appreciated on its own.Volume 1 depicts and analyzes the early years of Iranian cinema.Film was introduced in Iran in 1900, three years after the country’s first commercial film exhibitor saw the new medium in Great Britain.An artisanal cinema industry sponsored by the ruling shahs and other elites soon emerged.The presence of women, both on the screen and in movie houses, proved controversial until 1925, when Reza Shah Pahlavi dissolved the Qajar dynasty.Ruling until 1941, Reza Shah implemented a Westernization program intended to unite, modernize, and secularize his multicultural, multilingual, and multiethnic country.Cinematic representations of a fast-modernizing Iran were encouraged, the veil was outlawed, and dandies flourished.At the same time, photography, movie production, and movie houses were tightly controlled.Film production ultimately proved marginal to state formation.Only four silent feature films were produced in Iran; of the five Persian-language sound features shown in the country before 1941, four were made by an Iranian expatriate in India. A Social History of Iranian CinemaVolume 1: The Artisanal Era, 1897–1941Volume 2: The Industrializing Years, 1941–1978Volume 3: The Islamicate Period, 1978–1984Volume 4: The Globalizing Era, 1984–2010
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Dublin in Present Era : History
Dublin in Present Era. History. Dublin, in nineteen eleven, was a mass of contradictions.A second city of the British Empire, Dublin was also the first city of nationalist Ireland and, within its boundaries, the divisions of class and culture were extraordinary.This was a city of genuine diversity, its many complexities defying easy explanations.Rich and poor, immigrant and native, nationalist and unionist, Catholic, Protestant, Jew and Quaker, and so many more, were all bound together in the life of the city.In 1911 Dublin was moving into a decade of remarkable change; little would remain untouched.First, the 1913 Lockout redefined the nature of commerce and class relations in the city.The 1916 Rising, followed by the 1919-21 War of Independence and the ensuing civil war, turned politics and government on its head.Not all change was driven by local events. World War One saw many thousands of Dubliners fight in the trenches of Gallipoli, Flanders and the Somme.Many never came home. Those who did were often radically transformed, partly by the war and partly by what had happened at home while they were away.
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Stalin Era Intellectuals : Culture and Stalinism
This book focuses on the extent to which Soviet scholars and cultural theoreticians were able to act autonomously during the Stalin era.The authors question how we should consider certain intellectual achievements which took place despite the pressure of Stalinism, and how best to recognise and describe such achievements.The chapters in this book offer suggestions for new interpretations on Soviet philosophy of science and humanities, linguistics, philosophy, musicology, literature and mathematics from the point of view of general cultural theory.In this way, they challenge the received image of the Stalin-era humanities which reduces them into mere propaganda.Intended for scholars of Russian and Soviet studies, this book will dispel many received views about the character of Stalinism and Soviet culture. Chapters 1, 2, 4, 6, 10 and 13 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
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Is the era of cinema over?
The era of cinema is not over, but it is evolving. With the rise of streaming services and the popularity of online platforms for viewing content, the way people consume movies is changing. However, the experience of watching a film in a theater is still valued by many, and the industry continues to produce a wide range of content for both traditional and digital platforms. While the landscape of cinema may be shifting, it is not disappearing, and there is still a strong demand for storytelling through the medium of film.
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In which art era do we live?
We currently live in the contemporary art era, which began in the late 20th century and continues to the present day. This era is characterized by a wide range of artistic styles and movements, as well as the use of new technologies and materials in art-making. Contemporary art often reflects the diverse and globalized nature of our world, addressing a wide range of social, political, and cultural issues. It is a dynamic and ever-evolving era that encompasses a wide variety of artistic expressions.
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What was the most exciting era in history?
Determining the most exciting era in history is subjective and can vary depending on personal interests. However, many people find eras such as the Renaissance, the Age of Exploration, or the Industrial Revolution to be particularly thrilling due to the significant advancements, discoveries, and changes that took place during these times. These periods were marked by innovation, cultural flourishing, and transformative developments that continue to shape the world we live in today.
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What was the role of art during the Nazi era?
During the Nazi era, art played a significant role in promoting the ideology of the regime. The Nazis used art as a tool for propaganda, promoting their racist and nationalist beliefs through paintings, sculptures, and other forms of artistic expression. They also censored and persecuted artists whose work did not align with their ideology, leading to the suppression of modern and avant-garde art. Additionally, the Nazis looted and confiscated art from Jewish collectors and institutions, further using art as a means of asserting power and control. Overall, art during the Nazi era was manipulated and used as a tool for promoting the regime's propaganda and ideology.
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Writing History in the Global Era
George Orwell wrote that "history is written by the winners".Even if that seems a bit too cut-and-dried, we can say that history is always written from a viewpoint but that viewpoints change, sometimes radically.The history of workers, women and minorities challenged the once unquestioned dominance of the tales of great leaders and military victories.Then cultural studies brought fresh perspectives but those too have run their course.With globalisation emerging as a major economic, cultural and political force, Lynn Hunt examines whether it can reinvigorate the telling of history.In tandem, she proposes a sweeping re-evaluation of individuals’ agency and their place in society as the keys to understanding the way people and ideas interact.Writing History in the Global Era is bound to shake up the discipline and break new ground for historical studies.
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Polish Cinema Today : A Bold New Era in Film
Structured according to key themes, Polish Cinema Today analyzes the remarkable innovations in Polish cinema emerging a decade after the 1989 dissolution of the Soviet bloc, once its film industry had evolved from a socialist state enterprise into a much more accessible system of film production, with growing expertise in distribution and marketing.By the early 2000s, an impressive, diverse cohort of filmmakers broke through the gridlock of a small set of esteemed, aging auteurs as well as the glut of imported Hollywood blockbusters, empowered by the digital revolution and domestic audience appetite for independent work.Polish directors today challenge sacrosanct bromides about national and gender identity, Poland’s historical martyrdom, the status of the influential Catholic Church, and the benevolent family, while investigating the phenomena of migration and sexuality in their full complexity.Each thematic chapter places these recent films within a historical/cultural context nationally and transnationally, and designs its analyses of specific works to engage general audiences of film scholars, students, and cinephiles.
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A Short History of the Victorian Era
It began with the horse-drawn carriage and ended with the aeroplane... An era, beginning in the 1830s and ending with the death of Queen Victoria in 1901, that saw the British Empire - the largest ever seen - dominate the world.British ingenuity in the fields of technological development and the heavy industry of its Industrial Revolution led to Britain being dubbed 'the workshop of the world' while its Royal Navy policed the world's oceans helping to create what has become known as a 'Pax Britannica'. History of the Victorian Era details the sweeping social and economic changes that took place during this period but also examines the events of the time and the lives of the eminent Victorians who contributed so much to British success - men and women such as Florence Nightingale, Isambard Kingdom Brunel, Charles Dickens, Elizabeth Garrett Anderson and Charles Darwin.History of the Victorian Era is the story of the greatest period in British history, a period that still resonates in today's Britain.
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Critical Digital Art History : Interface and Data Politics in the Post-Digital Era
Digital Art History has often aligned itself with the practical concerns of digital technology and the responsibilities of art institutions and associated institutional roles such as collection managers, information specialists, curators, and conservators.This emphasis on practicalities and implementation, while undeniably important, has often meant that there is little room for critical examination of the broader implications of digital technology and computational methodologies in art history.This anthology seeks to address the dearth of critical reflection by approaching the use of digital technology in art history from a theoretical perspective and critically assessing specific case study examples.This book also considers the political dimensions associated with the large-scale digitization and the application of digital tools within museums and collection management.A long-standing concern of the field—and also a major focal point of this book—is museum and collecting practices in the digital era.While there is a certain degree of continuity in the field, there are some important shifts and changes too.One of the key changes is the widespread uptake of artificial intelligence tools and an increased attention to both the broader historical and societal aspects of the use of digital tools within museums and collection management.
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Which era of Taylor Swift is your favorite era?
My favorite era of Taylor Swift is the "1989" era. I love the pop sound of the album and the catchy, upbeat songs like "Shake It Off" and "Blank Space." The music videos and overall aesthetic of this era were also very visually appealing. Overall, I think this era showcased Taylor's evolution as an artist and solidified her status as a pop superstar.
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What is the significance of looted art from the colonial era?
Looted art from the colonial era holds significant historical and cultural importance as it represents the exploitation and oppression of indigenous peoples by colonial powers. The art often holds deep spiritual and symbolic meaning for the communities from which it was taken, and its return can help to heal the wounds of colonialism and restore a sense of cultural identity and pride. Additionally, the repatriation of looted art can serve as a form of restitution and acknowledgment of the injustices of the past, contributing to the process of reconciliation and decolonization.
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What is an era?
An era is a period of time characterized by particular events, developments, or cultural trends. It is often defined by a significant shift or change in society, technology, politics, or other aspects of human life. Eras can be marked by specific historical events, such as wars or revolutions, or by broader changes in social and cultural norms. They provide a framework for understanding and categorizing different periods of history.
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Which era is interesting?
The Renaissance era is particularly interesting due to its significant advancements in art, science, and culture. This period saw the emergence of great artists like Leonardo da Vinci and Michelangelo, as well as groundbreaking scientific discoveries by figures such as Galileo and Copernicus. The Renaissance also marked a shift towards humanism and a renewed interest in classical learning, making it a fascinating time of innovation and creativity.
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