Products related to History:
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History in Contemporary Art and Culture
This unique book offers guidance for contemporary art practices in dialogue with history, story, memory, and tradition. Artist and lecturer Paul O’Kane uses innovative and creative means, informed by a storytelling tradition as well as academic research, to make connections between contemporary art, history, and the past.The aim of this book is to give readers a sense of the profundity of historical questions, while making the challenge inviting, welcoming and manageable.It is designed to set out an expansive, inclusive and diverse range of potential directions, and speculations from which students can develop personal paths of enquiry.This is achieved by writing and designing the text in an accessible way and providing a range of ‘ways-in’.A series of carefully chosen references, examples, key texts, and possible essay questions are chosen and pitched at various levels and can be close-read, discussed, digested, and responded to either verbally or in the form of a presentation or essay. Written primarily for a broad range of fine arts students, this book encourages readers to reconsider their studies and art practices in light of a historical perspective, enhanced by creative contributions from artists, imaginative philosophers, and influential cultural commentators.
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Postwall German Cinema : History, Film History and Cinephilia
Since the fall of the Berlin Wall, there has been a proliferation of German historical films.These productions have earned prestigious awards and succeeded at box offices both at home and abroad, where they count among the most popular German films of all time.Recently, however, the country’s cinematic take on history has seen a significant new development: the radical style, content, and politics of the New German Cinema.With in-depth analyses of the major trends and films, this book represents a comprehensive assessment of the historical film in today’s Germany.Challenging previous paradigms, it takes account of a postwall cinema that complexly engages with various historiographical forms and, above all, with film history itself.
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A History of Art History
An authoritative history of art history from its medieval origins to its modern predicamentsIn this authoritative book, the first of its kind in English, Christopher S.Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history.Synthesizing and assessing a vast array of writings, episodes, and personalities, this original and accessible account of the development of art-historical thinking will appeal to readers both inside and outside the discipline.Combining erudition with clarity, this book makes a landmark contribution to the understanding of art history.
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Culture and International History
Combining the perspectives of 18 international scholars from Europe and the United States with a critical discussion of the role of culture in international relations, this volume introduces recent trends in the study of Culture and International History.It systematically explores the cultural dimension of international history, mapping existing approaches and conceptual lenses for the study of cultural factors and thus hopes to sharpen the awareness for the cultural approach to international history among both American and non-American scholars. The first part provides a methodological introduction, explores the cultural underpinnings of foreign policy, and the role of culture in international affairs by reviewing the historiography and examining the meaning of the word culture in the context of foreign relations.In the second part, contributors analyze culture as a tool of foreign policy.They demonstrate how culture was instrumentalized for diplomatic goals and purposes in different historical periods and world regions.The essays in the third part expand the state-centered view and retrace informal cultural relations among nations and peoples.This exploration of non-state cultural interaction focuses on the role of science, art, religion, and tourism.The fourth part collects the findings and arguments of part one, two, and three to define a roadmap for further scholarly inquiry.A group of" commentators" survey the preceding essays, place them into a larger research context, and address the question "Where do we go from here?" The last and fifth part presents a selection of primary sources along with individual comments highlighting a new genre of resources scholars interested in culture and international relations can consult.
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Can you help me with the art, culture, and history exam?
Of course! I can help you with the art, culture, and history exam by providing information, explanations, and answering any specific questions you may have. I can also assist in reviewing key concepts, important figures, and significant events related to these subjects. Feel free to ask me anything you need help with, and I'll do my best to assist you in preparing for your exam.
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What are electricity and high culture history?
Electricity history refers to the development and use of electricity as a form of energy, including the discovery of electricity, the invention of electric devices, and the establishment of electrical systems. High culture history, on the other hand, refers to the history of cultural and artistic achievements that are considered to be of high quality and sophistication, such as classical music, literature, fine arts, and theater. Both electricity and high culture history have evolved over time, shaping the way we live and appreciate the world around us.
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How are dogs represented in art history?
Dogs have been represented in art history in various ways, often symbolizing loyalty, companionship, and protection. They have been depicted in paintings, sculptures, and other forms of art dating back to ancient times. Dogs are often portrayed alongside their human companions, showcasing the bond between humans and animals. Additionally, certain dog breeds have been featured prominently in art, such as hunting dogs in hunting scenes or lap dogs in portraits of royalty.
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Is it pointless to study art history?
Studying art history is not pointless as it provides valuable insights into the cultural, social, and historical contexts in which art was created. It helps us understand the evolution of human creativity and expression, and how art has reflected and influenced different societies throughout history. Additionally, studying art history can also enhance critical thinking and analytical skills, as well as provide a deeper appreciation for the diversity and richness of artistic traditions around the world. Overall, art history is a valuable field of study that offers important perspectives on human civilization and creativity.
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History Through Material Culture
History through material culture is a unique, step-by-step guide for students and researchers who wish to use objects as historical sources. Responding to the significant, scholarly interest in historical material culture studies, this book makes clear how students and researchers ready to use these rich material sources can make important, valuable and original contributions to history. Written by two experienced museum practitioners and historians, the book recognises the theoretical and practical challenges of this approach and offers clear advice on methods to get the best out of material culture research.With a focus on the early modern and modern periods, this volume draws on examples from across the world and demonstrates how to use material culture to answer a range of enquiries, including social, economic, gender, cultural and global history. -- .
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Writing Material Culture History
Writing Material Culture History 2e examines the methodologies used in the historical study of material culture.Looking at archaeology, anthropology, art history and literary studies, the book provides students with a fundamental understanding of the relationship between artefacts and historical narratives.The book addresses the role of museums, the impact of the digital age and the representations of objects in public history, bringing together students and specialists from around the world. This new edition includes: A new substantive introduction from the editors, providing a useful roadmap for students and specialists. A more balanced and easy-to-use structure, including methodological chapters and ‘object in focus’ chapters consisting of case studies for classroom discussion. New chapters showing greater engagement with 20th-century material culture, non-European artefacts and the definitions and limits of material culture as a discipline. Offers global coverage and discussion of both the early modern and modern periods. Writing Material Culture History 2e is an essential tool for students seeking to understand the potential of objects to re-cast established historical narratives in new and exciting ways.
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Dagestan - History, Culture, Identity
Dagestan – History, Culture, Identity provides an up-to-date and comprehensive overview of Dagestan, a strategically important republic of the Russian Federation which borders Chechnya, Georgia and Azerbaijan, and its people. It outlines Dagestan’s rich and complicated history, from 5th c ACE to post USSR, as seen from the viewpoint of the Dagestani people.Chapters feature the new age of social media, urban weddings, modern and traditional medicine, innovative food cultivation, the little-known history of Mountain Jews during the Soviet period, flourishing heroes of sport and finance, emerging opportunities in ethno-tourism and a recent Dagestani music revival.In doing so, the authors examine the large number of different ethnic groups in Dagestan, their languages and traditions, and assess how the people of Dagestan are coping and thriving despite the changes brought about by globalisation, new technology and the modern world: through which swirls an increasing sense of identity in an indigenous multi-ethnic society.
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A History of Danish Cinema
The first English-language book to cover Danish cinema from the 1890s to the present day, this wide-ranging collection places well-known auteurs such as Carl Th.Dreyer, Lars von Trier and Susanne Bier in their cultural context, and introduces a number of genres and themes that are less familiar to international audiences, including film stars of the silent era, children's film, folk comedies, porn film, trends in documentary and Greenlandic cinema.With twenty-two chapters, all of them specially commissioned for this volume, A History of Danish Cinema explores the role of screen representations and film policy in shaping Denmark's cultural identity, but also emphasises just how internationally mobile Danish films and filmmakers have always been showcasing this small nation's extraordinary contribution to world cinema.
Price: 90.00 £ | Shipping*: 0.00 £
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What is the difference between low culture and high culture in history?
Low culture refers to the cultural activities and products that are considered to be more common, popular, and easily accessible to the general public. This can include things like popular music, television shows, and mass-produced literature. On the other hand, high culture refers to the cultural activities and products that are considered to be more refined, sophisticated, and often associated with the elite or educated classes. This can include things like classical music, fine art, and literature that is considered to be more intellectually challenging. The distinction between low and high culture has been a source of debate and has evolved over time, but it generally reflects the social and class divisions within a society.
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What experiences are there in studying art history?
Studying art history involves exploring the rich and diverse cultural heritage of different societies through their artistic expressions. Students learn about the evolution of art styles, techniques, and movements, gaining a deeper understanding of the social, political, and historical contexts in which art was created. They also develop critical thinking skills by analyzing and interpreting artworks, as well as honing their research and writing abilities. Additionally, studying art history can provide opportunities for hands-on experiences, such as visiting museums, galleries, and historical sites to see artworks in person.
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What significance does graffiti have for art history?
Graffiti has played a significant role in art history by challenging traditional notions of art and expanding the definition of what can be considered artistic expression. It has been a form of protest, a way to give voice to marginalized communities, and a means of reclaiming public spaces. Graffiti has also influenced contemporary art movements, such as street art and urban art, and has inspired artists to explore new mediums and techniques. Overall, graffiti has been a powerful force in shaping the evolution of art and pushing boundaries in the art world.
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What are possible professions after studying art history?
After studying art history, individuals can pursue careers as museum curators, art conservators, art educators, art appraisers, art dealers, or art consultants. They can also work in galleries, auction houses, cultural institutions, or as freelance researchers and writers. Additionally, some may choose to further their education and become art historians, professors, or researchers in academia. Overall, studying art history can lead to a wide range of professions within the art world and cultural sector.
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