Products related to Perspective:
-
Philosophical Perspective on Cinema
Price: 30.00 £ | Shipping*: 0.00 £ -
Christ and Culture : A Global Perspective
Christianity has grown dramatically over the last few centuries and is now the largest religion in the world, embraced by more than 2.5 billion people from all over the globe.No longer just a European faith, Christianity is now border-less, with heartlands in Brazil, the Congo, and the Philippines.Christ and Culture: A Global Perspective introduces students to how Christianity has been adopted by some of the world's cultures in surprising and fascinating ways. Case studies include:Nairobi, KenyaLake Tana, EthiopiaBangalore, IndiaStockholm, SwedenBuenos Aires, ArgentinaJerusalem, IsraelTurin, ItalyLos Angeles, USAWithin these chapters, topics such as global Pentecostalism, Catholic–Protestant relations, Orthodoxy, reverse missions, secularization, and urbanization are discussed, with allusions to H.Richard Niebhur's classic text (1951) on the topic throughout.Using engaging case studies, this book will be essential reading for students introduced to Christianity, Christianity and culture, and global Christianity for the first time.
Price: 39.99 £ | Shipping*: 0.00 £ -
Women's History in Global Perspective, Volume 2
In Volume 2 of Women's History in Global Perspective, Bonnie G.Smith curates more essays by pioneering thinkers on issues that have shaped the history of women, this time with a focus on particular places and particular eras.The collection examines women from prehistory to ancient civilizations in Egypt, Israel, India, and beyond; a survey of women history in China, Japan, and Korea; women and gender in South and South East Asia; medieval women; women and gender in Colonial Latin America; and the history of women in the United States to 1865.Inclusive and wide-ranging, Women's History in Global Perspective, Volume 2, offers an invaluable collection of feminist scholarship on overlooked and marginalized topics.Contributors: Judith M. Bennett, Kathleen Brown, Brady Hughes, Sarah Shaver Hughes, Susan Mann, Barbara N.Ramusack, and Ann Twinam.
Price: 23.99 £ | Shipping*: 3.99 £ -
History of Economic Thought : A Critical Perspective
The new edition of this classroom classic retains the organizing theme of the original text, presenting the development of thought within the context of economic history.Economic ideas are framed in terms of the spheres of production and circulation, with a critical analysis of how past theorists presented their ideas.
Price: 54.99 £ | Shipping*: 0.00 £
-
What is perspective in art?
Perspective in art refers to the technique used to create an illusion of depth and three-dimensionality on a two-dimensional surface. It involves the use of vanishing points, horizon lines, and scale to create the appearance of objects receding into the distance. Different types of perspective, such as linear perspective and atmospheric perspective, are used to achieve this effect. Perspective is an important tool for artists to create realistic and dynamic compositions in their artwork.
-
Is our perspective on history manipulated by history classes?
Yes, our perspective on history can be manipulated by history classes. History classes often focus on specific events, figures, and narratives that align with the dominant cultural and political perspectives of the time. This can lead to the omission or downplaying of certain perspectives, events, and voices, which can shape our understanding of history in a biased way. Additionally, the way history is taught and the materials used in history classes can also influence how we perceive and interpret historical events. It is important to critically analyze and seek out diverse sources of information to gain a more comprehensive understanding of history.
-
Is our perspective on history manipulated by history lessons?
Our perspective on history can be influenced by history lessons, as they often present a particular narrative or interpretation of events. History lessons may focus on certain events or figures while omitting others, leading to a biased view of the past. Additionally, the way history is taught can shape our understanding of key concepts such as power, identity, and progress. It is important to critically analyze the information presented in history lessons and seek out diverse perspectives to develop a more nuanced understanding of the past.
-
Is history primarily a question of perspective?
Yes, history is primarily a question of perspective. Different individuals and groups have their own perspectives on historical events, which can be influenced by factors such as culture, ideology, and personal experiences. These perspectives can shape how events are interpreted and remembered, leading to different narratives and understandings of history. It is important to consider multiple perspectives in order to gain a more comprehensive understanding of historical events.
Similar search terms for Perspective:
-
Global Family Capitalism : A Business History Perspective
Emphasizing the diversity of regional and national models, this book explores the history of transformation of family businesses around the world during the twentieth and early twenty-first centuries. Expert contributors explore place-based family capitalism and the local embeddedness of family businesses, looking at how and why this family capitalism was transformed during the globalization and de-globalization periods in the last century.It explores the variation in the adaptations and transformation undertaken by family businesses in response to changes in technology, globalization, ideology, and institutions, as well as world wars, pandemics, and economic crises.The book also evaluates the relationship between changes in the internal organization and strategies of family businesses with external forces such as the political ideologies, changing ideas about the very nature of what constitutes a family, and changes in how the State has perceived families and family businesses in the world.The book also shows that despite all profound transformations in family capitalism, these businesses have remained resilient entrepreneurial forces and strong creators of wealth and employment. This book will be of great interest to readers in business and economic history, family business, and entrepreneurship.
Price: 155.00 £ | Shipping*: 0.00 £ -
Comparison and History : Europe in Cross-National Perspective
Historians today like to preach the virtues of comparison and cross-national work.In the last decade, cross-national histories have prospered, yielding important work in the subjects as diverse as the transatlantic trade in slaves and the cultures of celebrity.In the meantime, comparative history has also enjoyed a renaissance, but what is largely missing in the rush beyond the nation is any sense of how to tackle this research.This volume brings together scholars who have worked either cross-nationally or comparatively to reflect upon their own research. In essays that engage practical, methodological, and theoretical questions, these contributors assess the gains--but also the obstacles and perils--of research that traverses national boundaries. Drawn from the subject-areas that have attracted the most comparative and cross-national attention: war, welfare, labor, nation, immigration, and gender. Taken together, these essays provide the first critical analysis of the cross-national turn in European history.
Price: 37.99 £ | Shipping*: 0.00 £ -
An Archaeological Perspective on the History of Technology
This volume represents an introduction to a new world-wide attempt to review the history of technology, which is one of few since the pioneering publications of the 1960s.It takes an explicit archaeological focus to the study of the history of technology and adopts a more explicit socially-embedded view of technology than has commonly been the case in mainstream histories of technology.In doing so, it attempts to introduce a more radical element to explanations of technological change, involving magic, alchemy, animism – in other words, attempting to consider technological change in terms of the 'world view' of those involved in such change rather than from an exclusively western scientific perspective.
Price: 17.00 £ | Shipping*: 3.99 £ -
Culture and PTSD : Trauma in Global and Historical Perspective
Since the 1970s, understanding of the effects of trauma, including flashbacks and withdrawal, has become widespread in the United States.As a result Americans can now claim that the phrase posttraumatic stress disorder (PTSD) is familiar even if the American Psychiatric Association's criteria for diagnosis are not.As embedded as these ideas now are in the American mindset, however, they are more widely applicable, this volume attempts to show, than is generally recognized.The essays in Culture and PTSD trace how trauma and its effects vary across historical and cultural contexts. Culture and PTSD examines the applicability of PTSD to other cultural contexts and details local responses to trauma and the extent they vary from PTSD as defined in the American Psychiatric Association's Diagnostic and Statistical Manual.Investigating responses in Peru, Indonesia, Haiti, and Native American communities as well as among combat veterans, domestic abuse victims, and adolescents, contributors attempt to address whether PTSD symptoms are present and, if so, whether they are a salient part of local responses to trauma.Moreover, the authors explore other important aspects of the local presentation and experience of trauma-related disorder, whether the Western concept of PTSD is known to lay members of society, and how the introduction of PTSD shapes local understandings and the course of trauma-related disorders. By attempting to determine whether treatments developed for those suffering PTSD in American and European contexts are effective in global settings of violence or disaster, Culture and PTSD questions the efficacy of international responses that focus on trauma. Contributors: Carmela Alcántara, Tom Ball, James K.Boehnlein, Naomi Breslau, Whitney Duncan, Byron J. Good, Mary-Jo DelVecchio Good, Jesse H. Grayman, Bridget M. Haas, Devon E. Hinton, Erica James, Janis H. Jenkins, Hanna Kienzler, Brandon Kohrt, Roberto Lewis-Fernández, Richard J.McNally, Theresa D. O'Nell, Duncan Pedersen, Nawaraj Upadhaya, Carol M. Worthman, Allan Young.
Price: 40.00 £ | Shipping*: 0.00 £
-
What are examples of parallel perspective in art?
Examples of parallel perspective in art include the work of Renaissance artists such as Leonardo da Vinci and Raphael, who used this technique to create realistic and three-dimensional representations of space. Another example is the use of parallel lines in architectural drawings to show depth and distance. Additionally, modern artists like M.C. Escher have used parallel perspective to create mind-bending optical illusions in their works.
-
How can I apply central perspective in art?
Central perspective in art can be applied by creating a vanishing point on the horizon line and drawing converging lines that lead to this point. This technique helps create the illusion of depth and three-dimensionality in a two-dimensional artwork. By placing objects or elements in the composition along these converging lines, you can achieve a sense of space and distance in your artwork. Experimenting with different angles and distances of the vanishing point can also create different effects and perspectives in your artwork.
-
What is a non-perspective painting concept in art?
A non-perspective painting concept in art refers to a style of artwork that does not adhere to traditional rules of perspective. This means that objects in the painting may not be depicted in a realistic way in terms of size, scale, or depth. Artists may use distortion, abstraction, or other techniques to create a unique and subjective interpretation of the subject matter. Non-perspective painting allows artists to experiment with different ways of representing the world and can result in visually striking and thought-provoking pieces.
-
How can the subjective perspective be depicted in art?
The subjective perspective can be depicted in art through the use of personal experiences, emotions, and interpretations. Artists can convey their unique viewpoint through the choice of subject matter, color palette, composition, and style. By infusing their work with their own feelings and thoughts, artists can create pieces that resonate with viewers on a personal level, inviting them to connect with the artwork on an emotional and subjective level. Ultimately, the subjective perspective in art allows for a deeper exploration of individual identity and human experience.
* All prices are inclusive of VAT and, if applicable, plus shipping costs. The offer information is based on the details provided by the respective shop and is updated through automated processes. Real-time updates do not occur, so deviations can occur in individual cases.