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History in Practice
Exploring the breadth and complexities of history as a field of study, History in Practice demystifies what historians actually do and the tasks they take on. This study, written by one of the most acute practitioners in the field, examines not only the academic discipline but also engages with the use of historical ideas in the wider world. The new edition features:- A new chapter on history in the digital age, covering the use of information technology in historical practice- Extended coverage of the relationships between history and other disciplines- Fresh material on current trends in the practice of history- Over 35 new illustrations spread throughout the book drawn from around the worldThis book is essential reading for all students seeking an understanding of history as a discipline.
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The Art of Partimento : History, Theory, and Practice
At the height of the Enlightenment, four conservatories in Naples stood at the center of European composition.Maestros taught their students to compose with unprecedented swiftness and elegance using the partimento, an instructional tool derived from the basso continuo that encouraged improvisation as the path to musical fluency.Although the practice vanished in the early nineteenth century, its legacy lived on in the music of the next generation.In The Art of Partimento, performer and music-historian Giorgio Sanguinetti chronicles the history of this long-forgotten Neopolitan art.Sanguinetti has painstakingly reconstructed the oral tradition that accompanied these partimento manuscripts, now scattered throughout Europe.Beginning with the origins of the partimento in the circles of Corelli, Pasquini, and Alessandro Scarlatti in Rome and tracing it through the peak of the tradition in Naples, The Art of Partimento gives a glimpse into the daily life and work of an eighteenth century composer.The Art of the Partimento is also a complete practical handbook to reviving the tradition today.Step by step, Sanguinetti guides the aspiring composer through elementary realization to more advanced exercises in diminution, imitation, and motivic coherence.Based on the teachings of the original masters, Sanguinetti challenges the reader to become a part of history, providing a variety of original partimenti in a range of genres, forms, styles, and difficulty levels along the way and allowing the student to learn the art of the partimento for themselves at their own pace. As both history and practical guide, The Art of Partimento presents a new and innovative way of thinking about music theory.Sanguinetti's unique approach unites musicology and music theory with performance, which allows for a richer and deeper understanding than any one method alone, and offers students and scholars of composition and music theory the opportunity not only to understand the life of this fascinating tradition, but to participate in it as well.
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The Practice of History
The new edition of G. R. Elton's classic work is a wide-ranging, succinct and practical introduction for all students and general readers of history.It makes a major contribution to the question "what is history?".
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Creativity : Theory, History, Practice
Creativity: Theory, History, Practice offers important new perspectives on creativity in the light of contemporary critical theory and cultural history.Innovative in approach as well as argument, the book crosses disciplinary boundaries and builds new bridges between the critical and the creative.It is organised in four parts: Why creativity now? offers much-needed alternatives to both the Romantic stereotype of the creator as individual genius and the tendency of the modern creative industries to treat everything as a commodity defining creativity, creating definitions traces the changing meaning of 'create' from religious ideas of divine creation from nothing to advertising notions of concept creation.It also examines the complex history and extraordinary versatility of terms such as imagination, invention, inspiration and originality dreation as myth, story, metaphor begins with modern re-tellings of early African, American and Australian creation myths and – picking up Biblical and evolutionary accounts along the way – works round to scientific visions of the Big Bang, bubble universes and cosmic soup creative practices, cultural processes is a critical anthology of materials, chosen to promote fresh thinking about everything from changing constructions of 'literature' and 'design' to artificial intelligence and genetic engineering. Rob Pope takes significant steps forward in the process of rethinking a vexed yet vital concept, all the while encouraging and equipping readers to continue the process in their own creative or 're-creative' ways.Creativity: Theory, History, Practice is invaluable for anyone with a live interest in exploring what creativity has been, is currently, and yet may be.
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Which martial art did the Nazis practice?
The Nazis practiced a form of martial arts known as German Ju-Jitsu, which was a combination of traditional Japanese Ju-Jitsu and other European fighting techniques. This martial art was developed by German martial artist Erich Rahn in the early 20th century and was promoted by the Nazis as part of their physical education and training programs. German Ju-Jitsu focused on practical self-defense techniques and combat skills, which aligned with the Nazi ideology of physical fitness and combat readiness.
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What martial art does Green Arrow practice?
Green Arrow practices archery as his primary martial art. He is highly skilled in using a bow and arrow, which he uses as his main weapon in combat. His accuracy and precision with the bow make him a formidable fighter, allowing him to take down enemies from a distance with ease.
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Which martial art would you rather practice?
As an AI, I don't have personal preferences, but I can provide some information to help you make a decision. If you are interested in striking and kicking techniques, you might prefer practicing Taekwondo. On the other hand, if you are more interested in grappling and ground fighting, you might prefer practicing Brazilian Jiu-Jitsu. Both martial arts have their own unique benefits and it ultimately depends on your personal interests and goals.
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What martial art do you women practice?
We practice Brazilian Jiu-Jitsu, a martial art that focuses on ground fighting and submission techniques. It is a great form of self-defense and also provides a full-body workout. Brazilian Jiu-Jitsu is known for its emphasis on technique and leverage, making it an effective martial art for women of all sizes and strengths.
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360° Circus : Meaning. Practice. Culture
This collection aims to map a diversity of approaches to the artform by creating a 360° view on the circus.The three sections of the book, Aesthetics, Practice, Culture, approach aesthetic developments, issues of artistic practice, and the circus’ role within society.This book consists of a collection of articles from renowned circus researchers, junior researchers, and artists.It also provides the core statements and discussions of the conference UpSideDown—Circus and Space in a graphic recording format.Hence, it allows a clear entry into the field of circus research and emphasizes the diversity of approaches that are well balanced between theoretical and artistic point of views.This book will be of great interest to students and scholars of circus studies, emerging disciples of circus and performance.
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History of Japanese Art after 1945 : Institutions, Discourse, Practice
History of Japanese Art after 1945 is a compilation of essays that surveys the development of art in Japan since WWII.The original Japanese work, which has become essential reading for those with an interest in modern and contemporary Japanese art and is a foundational resource for students and researchers, spans a period of 150 years, from the 1850s to the 2010s.Each chapter is dedicated to a specific period and written by a specialist. The English edition first discusses the formation and evolution of Japanese contemporary art from 1945 to the late 1970s, subsequently deals with the rise of the fine art museum from the late 1970s to the 1990s, and concludes with an overview of contemporary Japanese art dating from the 1990s to the 2010s. These three parts are preceded by a new introduction that contextualizes both the original Japanese and the English editions and introduces the reader to the emergence of the concept of art (bijutsu) in modern Japan.This English-language edition provides valuable reading material that offers a deeper insight into contemporary Japanese art. Contributors: Kitazawa Noriaki (editor), Mori Hitoshi (editor), Sato Doushin (editor), Tom Kain (translation editor), Alice Kiwako Ashiwa (translator), Kenneth Masaki Shima (translator), Ariel Acosta (translator) and Sara Sumpter (translator)Translated from the original Japanese edition published with Tokyo Bijutsu, 2014 In cooperation with Art Platform Japan / The Agency for Cultural Affairs, Government of Japan Art Platform Japan is an initiative by the Agency for Cultural Affairs, Government of Japan, to maintain the sustainable development of the contemporary art scene in Japan.
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Capoeira: A Brazilian Art Form : History, Philosophy, and Practice
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Writing History : Theory and Practice
The third edition of Writing History provides students and teachers with a comprehensive overview of how the study of history is informed by a broader intellectual and analytical framework, exploring the emergence and development of history as a discipline and the major theoretical developments that have informed historical writing.Instead of focusing on theory, this book offers succinct explanations of key concepts that illuminate the study of history and practical writing, and demonstrates the ways they have informed practical work.This fully revised new edition comprehensively rewrites and updates original chapters but also includes new features such as:- new chapters on postcolonial, environmental and transnational history;- chapter introductions setting them within the context of historiography;- a new substantive introduction from the editors, providing a useful road-map for students;- an expanded glossary. In its new incarnation Writing History is, more than ever, an invaluable introduction to the central debates that have shaped history.
Price: 24.99 £ | Shipping*: 3.99 £
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What martial art does John Wick practice?
John Wick practices a fictional martial art called "Gun Fu" in the movie series. This martial art combines hand-to-hand combat techniques with gunplay, allowing Wick to seamlessly transition between using firearms and close-quarters combat. The choreography and style of Gun Fu in the John Wick movies have been praised for its creativity and intensity.
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Which martial art do you three practice?
We practice Brazilian Jiu-Jitsu. It is a martial art that focuses on grappling and ground fighting, emphasizing technique and leverage to overcome larger opponents. It is known for its effectiveness in self-defense and is also a popular sport with competitions at various levels. We enjoy the physical and mental challenges that come with practicing Brazilian Jiu-Jitsu and the sense of community within the martial arts world.
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Which martial art does the police practice and which one does the SEK practice?
The police typically practice a variety of martial arts techniques, including defensive tactics and hand-to-hand combat training. The Special Deployment Commando (SEK) in Germany, which is a special police unit similar to SWAT in the United States, is known to train in a variety of martial arts disciplines such as Krav Maga, Brazilian Jiu-Jitsu, and close-quarters combat techniques to handle high-risk situations effectively. These specialized units undergo rigorous training to ensure they are well-equipped to handle dangerous and challenging scenarios.
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Which martial art do both of you practice?
We both practice Brazilian Jiu-Jitsu. It is a martial art that focuses on ground fighting and submission techniques, emphasizing leverage and technique over brute strength. It is a great way to improve physical fitness, mental discipline, and self-defense skills.
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