Products related to Artistic:
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Artistic Licence
_________________'Thank goodness for Katie Fforde, the perfect author to bring comfort in difficult times.She really is the queen of uplifting, feel good romance.' AJ PEARCE_________________There's an art to choosing men, but Thea's just discovering it.A wonderfully romantic novel from the No. 1 Sunday Times bestselling author of Recipe for Love, A French Affair and The Perfect Match. Leaving behind a house full of students she looks after, Thea throws caution to the wind and takes off to Ireland with Rory, a charming artist. But Thea's old life isn't so easily cut off. The arrival of Molly, her bossy friend, demanding to see Rory's stunning paintings (and to find out what Thea is up to) is bad enough, but why did she have to bring Petal, Thea's most annoying lodger, along for the ride? And worst of all, Petal is accompanied by her uncle, the enigmatic Ben, a man Thea has sworn never to like. The timing is terrible and even more alarming is that the more Rory pursues Thea, the more maddeningly attractive she finds Ben... _______________________________The whole world loves Katie Fforde's work:"Modern-day Austen.Great fun" Red"Top-drawer romantic escapism" Daily Mail"Warm, brilliant and full of love" Heat"Delicious - gorgeous humour and the lightest of touches" Sunday Times"Effortlessly lovable, warm and fun" Closer"Curl up on the sofa with this book and dream... delightful" The Lady"Deliciously enjoyable" Woman and Home"Uplifting and delightful" Hot Brands Cool Places
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Geography, Art, Research : Artistic Research in the GeoHumanities
This book explores the intersection of geographical knowledge and artistic research in terms of both creative methods and practice-based research.In doing so it brings together geography’s ‘creative turn’ with the art world’s ‘research turn.’Based on a decade and a half of ethnographic stories of working at the intersection of creative arts practices and geographical research, this book offers a much-needed critical account of these forms of knowledge production.Adopting a geohumanities approach to investigating how these forms of knowledge are produced, consumed, and circulated, it queries what imaginaries and practices of the key sites of knowledge making (including the field, the artist’s studio, the PhD thesis, and the exhibition) emerge and how these might challenge existing understandings of these locations.Inspired by the geographies of science and knowledge, art history and theory, and accounts of working within and beyond disciplines, this book seeks to understand the geographies of research at the intersection of geography and creative arts practices, how these geographies challenge existing understandings of these disciplines and practices, and what they might contribute to our wider discussions of working beyond disciplines, including through artistic research. This book offers a timely contribution to the emerging fields of artistic research and geohumanities, and will appeal to undergraduate and postgraduate students and researchers.
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The Artistic Ape
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American Art in Asia : Artistic Praxis and Theoretical Divergence
This book challenges existing notions of what is "American" and/or "Asian" art, moving beyond the identity issues that have dominated art-world conversations of the 1980s and the 1990s and aligning with new trends and issues in contemporary art today, e.g. the Global South, labor, environment, and gender identity. Contributors examine both historical and contemporary instances in art practices and exhibition-making under the rubric of "American art in Asia." The book complicates existing notions of what constitutes American art, Asian American (and American Asian) art.As today’s production and display of contemporary art takes place across diffused borders, under the fluid conditions of a globalized art world since transformed by the COVID-19 pandemic, new contexts and art historical narratives are forming that upend traditional Euro-American mappings of center-margins, migratory patterns and community engagement. The book will be of interest to scholars working in art history, American studies, Asian studies and visual culture.
Price: 135.00 £ | Shipping*: 0.00 £
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Is artistic talent necessary for studying art?
Artistic talent is not necessarily a requirement for studying art. While having natural talent can be beneficial, studying art can help individuals develop their skills and techniques over time. With dedication, practice, and guidance from experienced instructors, anyone can learn and improve their artistic abilities. Studying art can also provide a deeper understanding of art history, theory, and different artistic styles, which can enhance one's appreciation and interpretation of art.
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What are the artistic techniques of Pop Art?
Pop Art is characterized by its use of bold colors, popular culture imagery, and a sense of irony or satire. Artists often incorporate elements from mass media, advertising, and consumer products into their work. Techniques such as collage, screen printing, and the use of bright, flat colors are commonly used in Pop Art to create visually striking and accessible pieces that reflect the vibrant and commercialized culture of the 1960s. Additionally, repetition and the appropriation of existing images are key techniques in Pop Art, challenging traditional notions of originality and authenticity in art.
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What were the artistic intentions in performance art?
Performance art was intended to challenge traditional forms of art by breaking down the boundaries between art and everyday life. Artists sought to create experiences that were immediate, visceral, and often confrontational, aiming to provoke emotional and intellectual responses from the audience. Performance art also aimed to blur the distinction between the artist and the artwork, often incorporating the artist's own body and actions as the medium of expression. Overall, the intention was to push the boundaries of what could be considered art and to engage the audience in a more direct and participatory way.
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What does the autonomy of artistic design mean in art?
The autonomy of artistic design in art refers to the freedom and independence that artists have in creating their work without external influence or constraints. It allows artists to express their unique vision, ideas, and emotions through their creative process, without being dictated by societal norms or expectations. This autonomy enables artists to explore new techniques, styles, and concepts, pushing the boundaries of traditional art forms and contributing to the diversity and richness of the art world. Ultimately, the autonomy of artistic design empowers artists to create meaningful and impactful works that reflect their individuality and creativity.
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Walking as Artistic Practice
Walking as Artistic Practice lays out foundational information about the history of walking and its development as an artistic practice, making it accessible to readers of all backgrounds.It also provides guidance on how to analyze and discuss walking artworks, with vocabulary support, over three hundred examples, and over seventy-five exercises.The chapters offer a variety of topical approaches, allowing readers and instructors to craft an experience most suited to their interests and needs.Themes include observational and sensory experience, leading versus following, who walks where (identity and positionality), rituals, place, activism, connections to drawing, and embodiment.Appendices include information on documentation, sample syllabi, readings and resources, brainstorming tips, community engagement guidance, and tips for travel-based study.Instructors will appreciate this text because it has so many resources to direct students to when they have questions about analysis, history, community engagement, or documentation approaches.It's the type of book that students will hang onto long after the course is done because it is so practical and useful.
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Find Your Artistic Voice
An artist's unique voice is their calling card. It's what makes each of their works vital and particular.But developing such singular artistry requires effort and persistence.Bestselling author, artist, and illustrator Lisa Congdon brings her expertise to this guide to the process of artistic self-discovery.Featuring advice from Congdon herself and interviews with a roster of established artists, illustrators, and creatives, this one-of-a-kind book will show readers how to identify and nurture their own visual identity, navigate the influence of artists they admire, push through fear and insecurity, and appreciate the value of their personal journey.
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Artistic Places : Volume 5
Explore the landscapes and places that inspired great art: find peace in Monet’s lily-filled garden oasis, climb Mount Fuji on a printmaker’s pilgrimage, sail with Gauguin to the South Pacific to stretch your imagination, or contemplate light and the changing seasons on Chelsea Embankment.Artistic Places is a stunningly hand-illustrated, visionary guide for seekers of beauty, rare tales and cultural riches.Find yourself instantly transported to the places where great artists have sought refuge, found their inspiration and changed the course of art history forever. Susie Hodge, bestselling author and art historian, presents 25 famous and forgotten artistic destinations around the world, and connects these to the artists they inspired.In keeping with the Inspired Traveller’s Guide series design, each entry is accompanied by specially commissioned illustrations from Amy Grimes which perfectly evoke the wonders that first attracted the masters, while Hodge delves into each location's curious history with insightful stories both in and beyond the canon.So take a leaf out of your favourite artist’s sketchbook and discover the places they loved best. Artists and locations include: J.A.M Whistler in London, EnglandJohn Constable in Suffolk, EnglandBarbara Hepworth in St Ives, EnglandPaula Rego in Cascais and Estoril, PortugalPablo Picasso and Guernica, SpainSalvador Dalí in Catalonia, SpainClaude Monet in Giverny, FranceVincent van Gogh in Arles, FranceRene Magritte in Brussels, BelgiumPaul Klee in Bern, SwitzerlandMichelangelo in Florence, ItalyCanaletto in Venice, ItalyJohannes Vermeer in Delft, NetherlandsAnni Albers in Dessau, GermanyCaspar David Friedrich in the Elbe Sandstone Mountains, GermanyGustav Klimt and Lake Attersee, AustriaEdvard Munch in Oslo, NorwayHilma af Klint and Lake Mälaren, SwedenHenri Matisse in Tangier, MoroccoHokusai on Mount Fuji, JapanPaul Gauguin in Papeete and Papeari, TahitiJean-Michel Basquiat in New York, USAGrant Wood in Iowa, USAGeorgia O’Keeffe in New Mexico, USAFrida Kahlo in Coyoacán, Mexico Each book in the Inspired Traveller's Guides series offers readers a fascinating, informative and charmingly illustrated guide to must-visit destinations round the globe.Also from this series, explore intriguing: Spiritual Places, Literary Places, Hidden Places and Mystical Places.
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Aesthetic and Artistic Autonomy
Whether art can be wholly autonomous has been repeatedly challenged in the modern history of aesthetics.In this collection of specially-commissioned chapters, a team of experts discuss the extent to which art can be explained purely in terms of aesthetic categories. Covering examples from Philosophy, Music and Art History and drawing on continental and analytic sources, this volume clarifies the relationship between artworks and extra-aesthetic considerations, including historic, cultural or economic factors.It presents a comprehensive overview of the questionof aesthetic autonomy, exploring its relevance to both philosophy and the comprehension of specific artworks themselves.By closely examining how the creation of artworks, and our judgements of these artworks, relate to society and history, Aesthetic and Artistic Autonomy provides an insightful and sustained discussion of a major question in aesthetic philosophy.
Price: 37.99 £ | Shipping*: 0.00 £
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What are artistic means and media in relation to art?
Artistic means refer to the techniques, methods, and tools that artists use to create their work, such as painting, sculpture, or photography. On the other hand, artistic media are the materials or substances used by artists to create their art, such as oil paint, clay, or digital software. Together, artistic means and media play a crucial role in the creative process, allowing artists to express their ideas and emotions in a tangible form.
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Does one need artistic talent for a degree in art?
While having artistic talent can certainly be beneficial for pursuing a degree in art, it is not always a requirement. Art programs often focus on developing technical skills, critical thinking, and creativity, which can be cultivated through practice and dedication. Many successful artists have honed their skills through education and hard work, even if they did not possess innate artistic talent. Ultimately, passion and commitment to the craft can be just as important as natural talent in pursuing a degree in art.
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What does the autonomy of artistic creation mean in art?
The autonomy of artistic creation in art refers to the idea that artists have the freedom and independence to create their work without external constraints or influences. It allows artists to express their unique vision, ideas, and emotions without being dictated by societal norms, trends, or expectations. This autonomy enables artists to explore new concepts, experiment with different techniques, and push the boundaries of creativity, resulting in original and innovative artworks that reflect their individuality and artistic voice.
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Do you need artistic talent for a degree in art?
While having artistic talent can be beneficial for a degree in art, it is not always a requirement. Many art programs focus on developing technical skills, critical thinking, and creativity, which can be learned and honed over time. Students who are passionate about art and willing to put in the effort can succeed in an art degree program, regardless of their initial level of artistic talent. Ultimately, dedication, hard work, and a willingness to learn are often more important than innate talent in pursuing a degree in art.
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