Products related to Between:
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La Parisienne in Cinema : Between Art and Life
Chic, sophisticated, seductive and enigmatic, the Parisienne possesses a je ne sais quoi that makes her difficult to define.But who or what is the Parisienne, and how is she depicted in cinema?The first book-length study on the subject combines scholarship in the fields of art history, literature and fashion to enrich our understanding of this intriguing cinematic figure, simultaneously offering new perspectives on film.Accessible and wide-ranging, it will be of immediate interest to students and researchers working in film studies, French studies and the broader humanities, as well as cinephiles and Francophiles alike. -- .
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The Beast Between : Deer in Maya Art and Culture
The first book to focus on the multifaceted images of deer and hunting in ancient Maya art, from the award-winning author of To Be Like Gods: Dance in Ancient Maya Civilization. Winner, CHOICE Outstanding Academic Title, 2019The white-tailed deer had a prominent status in Maya civilization: it was the most important wild-animal food source at many inland Maya sites and also functioned as a major ceremonial symbol.Offering an in-depth semantic analysis of this imagery, The Beast Between considers iconography, hieroglyphic texts, mythological discourses, and ritual narratives to translate the significance and meaning of the vibrant metaphors expressed in a variety of artifacts depicting deer and hunting. Charting the importance of deer as a key component of the Maya diet, especially for elites, and analyzing the coupling of deer and maize in the Maya worldview, The Beast Between reveals a close and long-term interdependence between the Maya and these animals.Not only are deer depicted naturalistically in hunting and ritual scenes, but also they are assigned human attributes.This rich imagery reflects the many ways in which deer hunting was linked to status, sexuality, and war as part of a deeper process to ensure the regeneration of both agriculture and ancestry.Drawing on methodologies of art history, archaeology, and ethnology, this illuminating work is poised to become a key resource for multiple fields.
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Life Between Islands - Soundsystem Culture
Soul Jazz Records has once again delivered a musical time capsule with their latest compilation, "Life Between Islands - Soundsystem Culture: Black Musical Expression In The UK 1973-2006." This collection is a vibrant journey through the evolution of British music, showcasing the rich tapestry of sounds that have shaped the UK's cultural landscape. From the infectious rhythms of reggae and dub to the pulsating beats of jungle and garage, this album is a sonic melting pot that celebrates the diverse influences that have transformed British music over the years. Each track is a testament to the creativity and innovation of black musicians in the UK, demonstrating their unparalleled ability to push boundaries and defy expectations. Standout tracks include the infectious grooves of Steel Pulse's "Ku Klux Klan," the hypnotic basslines of Massive Attack's "Unfinished Sympathy," and the gritty lyricism of Roots Manuva's "Witness (One Hope)." These songs not only showcase the immense talent of the artists involved, but also shed light on the socio-political issues that have influenced their music. Overall, "Life Between Islands" is a must-listen for anyone interested in the history of British music. Soul Jazz Records has once again curated a compelling collection that pays homage to the legacy of black musical expression in the UK. So grab your headphones, crank up the volume, and let the sounds of the islands transport you to a world of groove and rhythm.
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Lahore Cinema : Between Realism and Fable
A pioneering analysis of exemplary feature filmsCommercial cinema has been among the most powerful vectors of social and aesthetic modernization in South Asia.So argues Iftikhar Dadi in his provocative examination of cinema produced between 1956 and 1969—the long sixties—in Lahore, Pakistan, following the 1947 Partition of South Asia.These films drew freely from Bengali performance traditions, Hindu mythology, Parsi theater, Sufi conceptions of the self, Urdu lyric poetry, and Hollywood musicals, bringing these traditions into dialogue with melodrama and neorealism.Examining this layered context offers insights into a period of rapid modernization and into cultural affiliation in the South Asian present, when frameworks of multiplicity and plurality are in jeopardy. Lahore Cinema probes the role of language, rhetoric, lyric, and form in the making of cinematic meaning as well as the relevance of the Urdu cultural universe to midcentury Bombay filmmaking.Challenging the assumption of popular cinema as apolitical, Dadi explores how films allowed their audiences to navigate an accelerating modernity and tense politics by anchoring social change across the terrain of deeper cultural imaginaries.By constituting publics beyond social divides of regional, ethnic, and sectarian affiliations, commercial cinema played an influential progressive role during the mid- and later twentieth century in South Asia. Lahore Cinema is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem) and the generous support of Cornell University. DOI: 10.6069/9780295750804
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What is the difference between low culture and high culture in history?
Low culture refers to the cultural activities and products that are considered to be more common, popular, and easily accessible to the general public. This can include things like popular music, television shows, and mass-produced literature. On the other hand, high culture refers to the cultural activities and products that are considered to be more refined, sophisticated, and often associated with the elite or educated classes. This can include things like classical music, fine art, and literature that is considered to be more intellectually challenging. The distinction between low and high culture has been a source of debate and has evolved over time, but it generally reflects the social and class divisions within a society.
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What is the difference between history and art?
History is the study of past events and the impact they have on society, while art is the expression of human creativity and imagination through various mediums such as painting, sculpture, and music. History focuses on factual events and their significance, while art is subjective and open to interpretation. History is often based on evidence and documentation, while art is more about personal expression and emotion. While history provides a record of the past, art offers insight into the human experience and emotions.
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What is the difference between Art A-level and Art History?
Art A-level focuses on the creation and production of art, allowing students to develop their artistic skills and explore different mediums and techniques. On the other hand, Art History focuses on the study of art from a historical and critical perspective, examining the context, meaning, and significance of artworks throughout different periods and cultures. While Art A-level involves practical work and creating art, Art History involves research, analysis, and interpretation of existing artworks.
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What is the difference between an art high school diploma and art history?
An art high school diploma typically refers to a specialized high school program that focuses on developing artistic skills and techniques in various mediums such as painting, drawing, sculpture, and digital art. On the other hand, art history is the study of art through the examination of its historical context, styles, movements, and significance. While an art high school diploma emphasizes hands-on artistic creation, art history delves into the theoretical and historical aspects of art.
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Jewish Culture between Canon and Heresy
This career-spanning anthology from prominent Jewish historian David Biale brings over a dozen of his key essays together for the first time.These pieces, written between 1974 and 2016, are all representative of a method Biale calls "counter-history": "the discovery of vital forces precisely in what others considered marginal, disreputable and irrational." The themes that have preoccupied Biale throughout the course of his distinguished career—in particular power, sexuality, blood, and secular Jewish thought—span the periods of the Bible, late antiquity, and the Middle Ages to the twentieth century.Exemplary essays in this volume argue for the dialectical relationship between modernity and its precursors in the older tradition, working together to "brush history against the grain" in order to provide a sweeping look at the history of the Jewish people.This volume of work by one of the boldest and most intellectually omnivorous Jewish thinkers of our time will be essential reading for scholars and students of Jewish studies.
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Islam : Between Divine Message and History
Why this book? What can it add to the many works that have already explored Islam as a history, a doctrine, a law, and a code of ethics?The bulk of Islamic thought nowadays is either a repetition of and rumination about what the ancients have already said, or the tackling of partial issues that falls short of a comprehensive view and a theoretical framework.All too often ideology replaces real knowledge. This work attempts to introduce the characteristics of the Mohammedan Mission, with the aspiration to be faithful to its essential purposes and to historical truth at the same time.The author thus illustrates the different ways in which people have understood the Mission and the reasons that led them to those various interpretations.The book presents several alternative interpretations that actually existed but did not enjoy widespread acceptance and popularity.
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Art & Language International : Conceptual Art between Art Worlds
In Art & Language International Robert Bailey reconstructs the history of the conceptual art collective Art & Language, situating it in a geographical context to rethink its implications for the broader histories of contemporary art.Focusing on its international collaborations with dozens of artists and critics in and outside the collective between 1969 and 1977, Bailey positions Art & Language at the center of a historical shift from Euro-American modernism to a global contemporary art.He documents the collective’s growth and reach, from transatlantic discussions on the nature of conceptual art and the establishment of distinct working groups in New York and England to the collective’s later work in Australia, New Zealand, and Yugoslavia.Bailey also details its publications, associations with political organizations, and the internal power struggles that precipitated its breakdown.Analyzing a wide range of artworks, texts, music, and films, he reveals how Art & Language navigated between art worlds to shape the international profile of conceptual art.Above all, Bailey underscores how the group's rigorous and interdisciplinary work provides a gateway to understanding how conceptual art operates as a mode of thinking that exceeds the visual to shape the philosophical, historical, and political.
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The Medieval Mediterranean between Islam and Christianity : Crosspollinations in Art, Architecture, and Material Culture
Christian–Islamic encounters through religious arts, architecture, and material culture in the medieval eraThe coexistence of Christianity and Islam in the medieval Mediterranean led to an interchange of knowledge in architecture and material culture that went well beyond religious and geographical boundaries.The use of Islamic objects in Christian contexts, the conversion of churches into mosques, and the mobility of craftsmen are only some manifestations of this process.From crosses found in mosques to European-Christian coins with pseudo-shahada inscriptions, medieval material culture is rich with visual evidence of the two faiths intermingling in both individual objects and monuments. In this volume, thirteen international scholars explore various aspects of pan-Mediterranean Christian-Islamic encounters in material culture and art, from textiles to precious oils, and from metalwork to ceramics, covering most of the Mediterranean, as well as parts of its extended hinterland, from Spain and Italy to Egypt and Georgia.Within this frame, one of the most relevant, yet underexplored lines of investigation is that of the “aesthetic space,” the notion that aesthetic pleasure transcends boundaries, paving the way to a cross-religious experience and appreciation. “Indeed, God is beautiful, and He loves beauty,” as mentioned in a Hadith narration, a universal cry of visual beauty that resonates with all cultures and civilizations. Contributors:Paschalis Androudis Aristotle University of Thessaloniki, Thessaloniki, GreeceFaruk Bilici Inalco, Paris, FranceMaria Bormpoudaki Hellenic Ministry of Culture and Sports, Piraeus, GreeceSami Luigi De Giosa University of Sharjah, Sharjah, United Arab EmiratesHélène Fragaki University of Augsburg, Augsburg, GermanyHani Hamza Independent scholar, Cairo, EgyptAna Cabrera Lafuente Instituto de Turismo de España (Turespaña/Tourspain), Madrid, Spain Alison Ohta Royal Asiatic Society of Great Britain and Ireland, London, United KingdomRichard Piran McClary University of York, York, United Kingdom Nino Simonishvili Ivane Javakhishvili Tbilisi State University, Tbilisi, GeorgiaNikolaos Vryzidis Aristotle University of Thessaloniki, Thessaloniki, GreeceArielle Winnik Yale University Art Gallery, New Haven, United States
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What is the difference between Classic Rock, Art Rock, and Progressive Rock?
Classic Rock is a genre that typically refers to rock music from the late 1960s to the early 1980s, characterized by a straightforward, blues-based sound with catchy melodies and simple song structures. Art Rock, on the other hand, is a more experimental and avant-garde form of rock music that often incorporates elements of classical music, jazz, and other genres, with a focus on artistic expression and innovation. Progressive Rock is a subgenre of rock music that emerged in the late 1960s and is characterized by complex compositions, virtuosic musicianship, and elaborate concept albums, often featuring extended instrumental passages and unconventional time signatures.
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Can you help me with the art, culture, and history exam?
Of course! I can help you with the art, culture, and history exam by providing information, explanations, and answering any specific questions you may have. I can also assist in reviewing key concepts, important figures, and significant events related to these subjects. Feel free to ask me anything you need help with, and I'll do my best to assist you in preparing for your exam.
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What are the differences between art in the 19th century and art history before that?
Art in the 19th century saw a shift towards more personal expression and individual creativity, moving away from the strict rules and conventions of earlier art history. Artists began to explore new styles and techniques, such as Impressionism and Romanticism, reflecting the changing social and political landscape of the time. Additionally, the 19th century saw the rise of art movements that challenged traditional notions of beauty and subject matter, paving the way for modern art. Overall, the 19th century marked a period of innovation and experimentation in the art world, setting the stage for the diverse range of artistic expressions we see today.
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What are the differences between a graphic designer, a media designer, and an art director?
A graphic designer focuses on creating visual concepts and designs for various mediums such as print, digital, and advertising. They often work on projects like logos, brochures, and website layouts. A media designer, on the other hand, specializes in creating digital content for online platforms, including websites, social media, and multimedia presentations. They may also work with animation and video editing. An art director is responsible for overseeing the visual aspects of a project, including the overall design and creative direction. They often work with a team of designers and artists to ensure that the visual elements align with the project's goals and brand identity.
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