Products related to Defendant:
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The Defendant
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Access to Justice in Magistrates' Courts : A Study of Defendant Marginalisation
This book examines access to justice in summary criminal proceedings by considering the ability of defendants to play an active and effective role in the process. ‘Access to justice’ refers not just to the availability of legally aided representation, but also to the ability of defendants to understand and effectively participate in summary criminal proceedings more generally.It remains a vital principle of justice that justice should not only be done, but should also be seen to be done by all participants in the process. The book is based on socio-legal research. The study is ethnographic, based on observation conducted in four magistrates’ courts in South East England and interviews with both defence lawyers and Crown prosecutors. Setting out an argument that defendants have always been marginalised through particular features of magistrates’ court proceedings (such as courtroom layout and patterns of behaviour among the professional workgroups in court), the political climate in relation to defendants and access to justice that has persisted since 2010 has further undermined the ability of defendants to play an active role in the process. Ultimately, this book argues that recent governments have demanded ever more efficiency and cost saving in criminal justice.In that context, principles that contribute to access to justice for defendants have been seriously undermined.
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History in Contemporary Art and Culture
This unique book offers guidance for contemporary art practices in dialogue with history, story, memory, and tradition. Artist and lecturer Paul O’Kane uses innovative and creative means, informed by a storytelling tradition as well as academic research, to make connections between contemporary art, history, and the past.The aim of this book is to give readers a sense of the profundity of historical questions, while making the challenge inviting, welcoming and manageable.It is designed to set out an expansive, inclusive and diverse range of potential directions, and speculations from which students can develop personal paths of enquiry.This is achieved by writing and designing the text in an accessible way and providing a range of ‘ways-in’.A series of carefully chosen references, examples, key texts, and possible essay questions are chosen and pitched at various levels and can be close-read, discussed, digested, and responded to either verbally or in the form of a presentation or essay. Written primarily for a broad range of fine arts students, this book encourages readers to reconsider their studies and art practices in light of a historical perspective, enhanced by creative contributions from artists, imaginative philosophers, and influential cultural commentators.
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Movie director digital cinema clapperboard alarm clock
This alarm clock in the shape of a film director's clapperboard is perfectly decorative. It will impress your friends a lot. In addition, it is very effective in its role as an alarm clock.* Dimensions : 22 x 18.5 x 2.5cm * Feed : sector (AC adapter included) * Alarm clock function * To put or hang (fastening on the back) Functions : alarm clock, decoration Contents : 1 cinema director’s clapboard alarm clock* Dimensions : 22 x 18.5 x 2.5cm * Feed : sector (AC adapter included) * Alarm clock function * To put or hang (fastening on the back) Functions : alarm clock, decoration Contents : 1 cinema director's alarm clock
Price: 112.99 £ | Shipping*: 0.0 £
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When does the defendant find out about a charge?
The defendant typically finds out about a charge when they are formally charged by law enforcement or when they receive a summons to appear in court. This usually occurs after an investigation has been conducted and the prosecuting attorney has determined that there is enough evidence to bring charges against the defendant. The defendant may also be informed of the charges against them during their arraignment, where they are formally presented with the charges and have the opportunity to enter a plea.
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Why is a defendant not liked by witnesses and prosecutors?
Defendants are not liked by witnesses and prosecutors because they are seen as the individuals who have allegedly committed a crime or wronged someone, leading to the legal proceedings. Witnesses may feel intimidated or fearful of retaliation from the defendant, while prosecutors are tasked with proving the defendant's guilt, which can create a sense of opposition. Additionally, the defendant's actions may have caused harm or distress to others, further contributing to negative perceptions.
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What could happen if the defendant does not speak with the experts?
If the defendant does not speak with the experts, they may miss out on valuable insights and information that could potentially help their case. Experts can provide crucial analysis and testimony that could be used to support the defendant's position. Without consulting with experts, the defendant may not have a strong defense strategy and could be at a disadvantage in court. It is important for the defendant to communicate with experts to ensure they have the best possible chance of presenting a strong case.
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Why was the defendant disinvited from the court two days before the trial?
The defendant was disinvited from the court two days before the trial because they violated the terms of their bail or pre-trial release. This could include failing to comply with court-ordered conditions, such as attending required meetings or staying away from certain individuals. The court may have deemed the defendant's actions as a risk to the judicial process or public safety, leading to their disinvitation from the court proceedings.
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Cultivating Extreme Art Cinema : Text, Paratext and Home Video Culture
Using paratextual theory to address the accusations of gimmickry often directed towards extreme art films, Cultivating Extreme Art Cinema: Text, Paratext, and Home Video Culture focuses upon the DVD and Blu-ray object, analysing how sleeve designs, blurbs, and special features shape the identity of the film and prepare the audience for a particular type of cinematic experience.The book discusses the complex interactions that take place on these commercial artefacts, the ways they communicate to both 'highbrow' and 'lowbrow' audiences, and the manner in which they breach tradition taste distinctions.Including case studies of features like Cannibal Holocaust, Funny Games and Antichrist, the book explores the complicated dichotomies between art and exploitation films to present a fluid history of extreme art cinema.
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The Art of Japanese Architecture : History / Culture / Design
The Art of Japanese Architecture presents a complete overview of Japanese architecture in its historical and cultural context.The book begins with a discussion of early prehistoric dwellings and concludes with a description of works by important modern Japanese architects.Along the way it discusses the iconic buildings and architectural styles for which Japan is so justly famous—from elegant Shinden and Sukiya aristocratic villas like the Kinkakuji "Golden Pavilion" in Kyoto, to imposing Samurai castles like Himeji and Matsumoto, and tranquil Zen Buddhist gardens and tea houses to rural Minka thatched-roof farmhouses and Shinto shrines.Each period in the development of Japan's architecture is described in detail and the most important structures are shown and discussed—including dozens of UNESCO World Heritage Sites.The aesthetic trends in each period are presented within the context of Japanese society at the time, providing a unique in-depth understanding of the way Japanese architectural styles and buildings have developed over time and the great variety that is visible today. The book is profusely illustrated with hundreds of hand-drawn 3D watercolor illustrations and color photos as well as prints, maps and diagrams.The new edition features dozens of new photographs and a handy hardcover format that is perfect for travelers.
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Black Cinema & Visual Culture : Art and Politics in the 21st Century
This culturally and politically timely collection examines new Black films and moving images that have, once again, excited and possibly shifted the global media landscape.At a moment some scholars have described as post-post-racial, Black Cinema & Visual Culture provides new, urgent definitions and theories for Black cinema and furthers the development of its critical discourses.Gathering some of the leading scholars and critics in the field, this book enriches and advances the study of Black film and media and its social and political implications at a breakthrough period of expansion in the 21st century.This anthology tackles a wide range of topics from social justice, new media, and Afrofuturism, to race, gender, sexuality, mass incarceration, cultural memory, and Afrosurrealism, exploring the current climate of Black cinematic art that has proven wildly popular with domestic and global audiences, including hit films like Get Out and Marvel’s Black Panther.Together, these essays deepen understandings of Black visual culture, its creative image-makers, the political economy of Hollywood, and the cultural politics at the intersection of modern cinema, streaming platforms, and digital technologies.Black Cinema & Visual Culture will serve as an important learning tool for university courses spanning topics in film studies, American film and television, cultural studies, American studies, African Diaspora studies, media activism, social analysis, and African-American studies.This volume will also provide a benchmark in popular and intellectual circles for anyone interested in popular culture, Black-American cinema, media, issues of race in Hollywood, or Black culture and the conditions that shape both its art and politics.
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Cinema, Culture, Scotland : Selected Essays
This book anthologises selected key works from the oeuvre of Colin McArthur, a pioneering figure within Anglophone Film and Scottish cultural studies since the 1960s.Collecting together thirty-seven essays written between 1966 and 2022, twenty-one of which were hitherto out-of-print, the book identifies and illustrates the central strands of scholarly interest that have defined one of British Film Studies and Scottish Cultural Studies' most influential careers: critical investigation and legitimisation of mid-twentieth-century Hollywood cinema and popular American film genres; the cinematic representation of Scotland and the gradual development of a Scottish film production sector; and Scotland's status as a distinctive visual and material cultural signifier within a diverse range of international popular cultures from the eighteenth century to the present.
Price: 125.00 £ | Shipping*: 0.00 £
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Why was the defendant disinvited by the court two days before the trial?
The defendant was disinvited by the court two days before the trial because they failed to comply with the court's orders and deadlines. This lack of compliance may have included not submitting required documents, not showing up for scheduled meetings or hearings, or not following court procedures. As a result, the court decided to disinvite the defendant from the trial due to their failure to adhere to the necessary legal requirements.
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Can you help me with the art, culture, and history exam?
Of course! I can help you with the art, culture, and history exam by providing information, explanations, and answering any specific questions you may have. I can also assist in reviewing key concepts, important figures, and significant events related to these subjects. Feel free to ask me anything you need help with, and I'll do my best to assist you in preparing for your exam.
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Can a suspect and/or defendant remain silent, or must they speak under certain conditions?
In most legal systems, a suspect or defendant has the right to remain silent and cannot be compelled to speak. This right is protected under the principle of "the right to remain silent" or "the right against self-incrimination." However, there may be certain circumstances where a suspect or defendant may be required to provide information, such as during a police investigation or court proceedings. It is always advisable for individuals to seek legal advice before deciding whether to remain silent or speak in any legal situation.
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Do prosecutors not feel guilty when they plead guilty, even though the defendant is obviously innocent?
Prosecutors are bound by ethical guidelines to seek justice, not just convictions. If a prosecutor believes that a defendant is innocent but still accepts a guilty plea, they may feel conflicted and guilty about the situation. However, there may be various reasons why a prosecutor would accept a guilty plea from an innocent defendant, such as lack of evidence or pressure to secure a conviction. Ultimately, it is up to the prosecutor to weigh the ethical implications and make a decision based on the circumstances of the case.
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