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Women, Feminism and Italian Cinema : Archives from a Film Culture
Italian cinema experienced its peak of domestic and international popularity in the years between the 'economic miracle' of the late 1950s and the social and political turmoil of the 1970s.But how did the growing development of the feminist movement in this period impact on Italian film culture? And what role did that film culture play in women's lives?This book explores the multiple intersections between feminism and Italian cinema from the perspective of women's everyday relationship with the medium.Drawing from a feminist approach to Gramscian cultural theory, the book builds an archival counter-history of Italian cinema in which women took part as movie-goers, activists and practitioners, by means of a collective-historical agency that challenged cinema's patriarchal structures and strategies of invisibilisation.
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Reel Change : A History of British Cinema from the Projection Box
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A Modernist Cinema : Film Art from 1914 to 1941
In A Modernist Cinema, sixteen distinguished scholars in the field of the New Modernist Studies explore the interrelationships among modernism, cinema, and modernity.Focusing on several culturally influential films from Europe, America, and Asia produced between 1914 and 1941, this collection of essays contends that cinema was always a modernist enterprise.Examining the dialectical relationship between a modernist cinema and modernity itself, these essays reveal how the movies represented and altered our notions and practices of modern life, as well as how the so-called crises of modernity shaped the evolution of filmmaking.Attending to the technical achievements and formal qualities of the works of several prominent directors - Giovanni Pastrone, D.W. Griffith, Sergei Eisenstein, Fritz Lang, Alfred Hitchcock, F.W. Murnau, Carl Theodore Dreyer, Dziga Vertov, Luis Buñuel, Yasujiro Ozu, John Ford, Jean Renoir, Charlie Chaplin, Leni Riefenstahl, and Orson Welles - these essays investigate several interrelated topics: how a modernist cinema represented and intervened in the political and social struggles of the era; the ambivalent relationship between cinema and the other modernist arts; the controversial interconnection between modern technology and the new art of filmmaking; the significance of representing the mobile human body in a new medium; the gendered history of modernity; and the transformative effects of cinema on modern conceptions of temporality, spatial relations, and political geography.
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Contemporary Art Cinema Culture in China
How do contemporary Chinese audiences access art cinema?What are the alternative channels for the distribution and exhibition of art cinema in China?How is Chinese art cinema changing with the booming of internet media and commodity culture in the 21st century? To answer these questions, Xiang Fan explores the dynamic networks of art cinema in China in the 21st century, highlighting the cultural practices of intermediaries such as independent programmers, internet critics, and fan translators.Offering insights gleaned from original ethnographic research, Fan reveals how these intermediary practitioners think about cinema, negotiate judgement and appreciation, construct a discourse of value and taste, and most importantly, constitute a coordinated and interrelated network for the sharing of art cinema.She argues that although their motivation was derived from a cinephilia seeking to forge an alternative mode of distribution and reception, the ‘new’ cinema culture they have produced simultaneously negotiates a subtly complicit relationship with authoritative and market forces.In doing so, she offers an original interdisciplinary perspective on contemporary art cinema culture in Chinese society.
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Can you help me with the art, culture, and history exam?
Of course! I can help you with the art, culture, and history exam by providing information, explanations, and answering any specific questions you may have. I can also assist in reviewing key concepts, important figures, and significant events related to these subjects. Feel free to ask me anything you need help with, and I'll do my best to assist you in preparing for your exam.
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What are the Faber Castell Classic products from Castle Art Supplies?
The Faber Castell Classic products from Castle Art Supplies are high-quality art supplies that include pencils, colored pencils, and markers. These products are known for their smooth and consistent performance, making them a favorite among artists and art enthusiasts. The pencils are available in various lead grades, while the colored pencils offer vibrant and blendable colors. The markers are also known for their durability and rich, long-lasting ink. Overall, the Faber Castell Classic products from Castle Art Supplies are reliable tools for creating beautiful artwork.
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From when is art art?
Art has been a part of human expression for thousands of years, with evidence of artistic creation dating back to prehistoric times. The concept of art has evolved over time, with different cultures and societies defining and creating art in their own unique ways. Ultimately, art is a form of human expression that has been present throughout history and continues to be a vital part of human culture and creativity. Therefore, it can be said that art has been art for as long as humans have been creating and expressing themselves through various forms of visual, auditory, and performance-based mediums.
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What are art and culture events?
Art and culture events are gatherings or activities that showcase various forms of artistic expression, such as visual arts, music, dance, theater, literature, and more. These events provide a platform for artists to share their work with the public and engage in creative dialogue. They also offer opportunities for individuals to immerse themselves in different cultural experiences, broaden their perspectives, and appreciate the diversity of human expression. Overall, art and culture events play a vital role in enriching communities, fostering creativity, and promoting understanding and connection among people.
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Modern Art. A History from Impressionism to Today
Most art historians agree that the modern art adventure first developed in the 1860s in Paris.A circle of painters, whom we now know as Impressionists, began painting pictures with rapid, loose brushwork.They turned to everyday street life for subjects, instead of overblown heroic scenes, and they escaped the power of the Salon by organizing their own independent exhibitions. After this first assault on the artistic establishment, there was no holding back.In a constant desire to challenge, innovate, and inspire, one modernist style supplanted the next: Symbolism, Expressionism, Futurism, Dada, abstract art, renewed Realism, Surrealism, Abstract Expressionism, Pop, Minimal and conceptual practice. This indispensable overview traces the restless energy of modern art with a year-by-year succession of the groundbreaking artworks that shook standards and broke down barriers.Introductory essays outline the most significant and influential movements alongside explanatory texts for each major work and its artist.
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Art and Biotechnology : Viral Culture from CRISPR to COVID
This interdisciplinary anthology examines the relationship between developments in biotechnology and both artistic and literary innovation, focussing in particular on how newfound molecular technologies and knowledge regimes, such as CRISPR gene editing, alter conceptions of what it means to be human. The book presents 21 essays, split across four parts, from a coterie of artists, theorists, historians and scientists which examine the symbiotic relationship between humans, animals, and viruses as well as the impossibility of germ-free existence. The essays in this volume are urgent in their topicality, embodying the exhilarating yet alarming zeitgeist of contemporary nonhuman-to-human viral transmission and gene editing technologies.Ultimately, Art and Biotechnology reveals how art and biotechnology influence each other and how art has shaped the discussion around gene editing and the socio-cultural aspects of the Covid-19 pandemic.It is essential reading for students and researchers focussing on science and art, environmental humanities, and ethics.
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Ancient Art Revisited : Global Perspectives from Archaeology and Art History
Ancient Art Revisited develops new perspectives on ancient art by weaving together diverse strands within archaeology and art history, exploring it through recent developments in archaeological theory.In order to foster dialogue among various subfields, contributors are drawn from a wide range of domains.Classical archaeology, Aegean prehistory, Near Eastern archaeology, Egyptology, Pre-Columbian South America, and North America are brought together to explore ancient art from multiscalar perspectives and through the lenses of entanglement theory, network thinking, assemblage theory, and other recent theoretical developments.Representing a new wave in research on ancient art, considering both the proximal and distributed operations of artworks, Ancient Art Revisited provides broad and inclusive coverage of ancient art and offers a cohesive approach to a fragmented area of study. This book will be suitable for archaeologists, anthropologists, and art historians wishing to understand the latest thinking on ancient art.
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Sourdough Culture : A History of Bread Making from Ancient to Modern Bakers
The essential history of bread baking and sourdough’s rise to a global phenomenon. Sourdough bread fueled the labor that built the Egyptian pyramids.The Roman Empire distributed free sourdough loaves to its citizens to maintain political stability.More recently, amidst the COVID-19 pandemic, sourdough bread baking became a global phenomenon as people contended with being confined to their homes and sought distractions from their fear, uncertainty, and grief.In Sourdough Culture, environmental science professor Eric Pallant shows how throughout history, sourdough bread baking has always been about survival. Sourdough Culture presents the history and rudimentary science of sourdough bread baking from its discovery more than six thousand years ago to its still-recent displacement by the innovation of dough-mixing machines and fast-acting yeast.Pallant traces the tradition of sourdough across continents, from its origins in the Middle East’s Fertile Crescent to Europe and then around the world.Pallant also explains how sourdough fed some of history’s most significant figures, such as Plato, Pliny the Elder, Louis Pasteur, Marie Antoinette, Martin Luther, and Antonie van Leeuwenhoek, and introduces the lesser-known—but equally important—individuals who relied on sourdough bread for sustenance: ancient Roman bakers, medieval housewives, Gold Rush miners, and the many, many others who have produced daily sourdough bread in anonymity. Each chapter of Sourdough Culture is accompanied by a selection from Pallant’s own favorite recipes, which span millennia and traverse continents, and highlight an array of approaches, traditions, and methods to sourdough bread baking.Sourdough Culture is a rich, informative, and engaging read, especially for bakers—whether skilled or just beginners.More importantly, it tells the important and dynamic story of the bread that has fed the world.
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From when is a classic car considered a classic car?
A classic car is typically considered to be a car that is at least 20 years old. However, some definitions may vary, with some considering a car to be a classic if it is over 25 years old. Generally, a classic car is one that is no longer in production and has a timeless design or historical significance.
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Do you find art and culture important?
Yes, I find art and culture to be extremely important. Art and culture are essential for expressing and preserving the diversity of human experiences and perspectives. They also play a crucial role in fostering creativity, critical thinking, and empathy. Additionally, art and culture contribute to the economy and tourism, and can serve as a powerful tool for social change and community development. Overall, art and culture enrich our lives and help us understand and appreciate the world around us.
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What are electricity and high culture history?
Electricity history refers to the development and use of electricity as a form of energy, including the discovery of electricity, the invention of electric devices, and the establishment of electrical systems. High culture history, on the other hand, refers to the history of cultural and artistic achievements that are considered to be of high quality and sophistication, such as classical music, literature, fine arts, and theater. Both electricity and high culture history have evolved over time, shaping the way we live and appreciate the world around us.
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What is the difference between low culture and high culture in history?
Low culture refers to the cultural activities and products that are considered to be more common, popular, and easily accessible to the general public. This can include things like popular music, television shows, and mass-produced literature. On the other hand, high culture refers to the cultural activities and products that are considered to be more refined, sophisticated, and often associated with the elite or educated classes. This can include things like classical music, fine art, and literature that is considered to be more intellectually challenging. The distinction between low and high culture has been a source of debate and has evolved over time, but it generally reflects the social and class divisions within a society.
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