Products related to Genre:
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Transmedia/Genre : Rethinking Genre in a Multiplatform Culture
This book brings genre back to the forefront of the current transmedia trend.Genres are perhaps the most innately transmedial of media constructs, formed as they are from all kinds of industrial, technological and discursive phenomena.Yet, few have considered how genre works in a multiplatform context.This book does precisely that, making a uniquely transmedial contribution to the study of genre in the age of media convergence.The book interrogates how industrial, technological and participatory transformations of digital platforms and emerging technologies reshape workings of genre.The authors consider franchises such as Star Wars, streaming platforms such as Netflix, catch-up services such as ITV Hub, creative technologies such as virtual reality, and beyond.In setting the stage for the revival of genre theory in contemporary transmedia scholarship, this book pushes forward understandings of multiplatform media and the emerging form and function of genre across contemporary culture.
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Genre Relations : Mapping Culture
This book provides an introduction to genre analysis from the perspective of the 'Sydney School' of functional linguistics.Chapter 1 introduces our general orientation to genre from the perspective of system and structure, and places genre within our general model of language and social context.Chapters 2-5 deal with five major families of genres (stories, histories, reports, explanations and procedures), introducing a range of descriptive tools and theoretical developments along the way.Finally in Chapter 6 we deal with a range of issues arising for genre analysis in a model of this kind.The book has been written for a readership of functional linguists, discourse analysts and educational linguists, including their post-graduate and advanced undergraduate students.
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Epidemic Cinema : The Rise of a Genre
This book examines the recent trend in global cinema to feature infectious disease. As the global crisis of the COVID-19 pandemic materialised the anxieties and discourses of world risk that had long been portrayed in popular media, the book provides a novel definition of the epidemic film genre and offers a systematic look into the narrative and stylistic conventions that characterise it.Epidemic Cinema traces the evolution of the genre from its early cinematic origins to establish the founding principles of a genre standing at the crossroads between science-fiction and horror.It draws on close textual analysis to show how the pandemic reified one of the central predicaments of epidemic narratives: the constant tension existing between free-floating phenomena and the impulse to control and resist such phenomena, ultimately epitomised by the trope of the border.Showing how infectious diseases offer a rich allegorical frame which cinema uses to articulate timely anxieties of growingly invisible and deterritorialised risks, the author presents the prevalence of contagion in popular culture as a symptom of this growingly viral and virus-ridden context, both in its most literal and metaphorical sense. This insightful study will interest students and scholars of film studies, global cinema, science-fiction, horror, popular culture and genre theory.
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New Israeli Horror : Local Cinema, Global Genre
Before 2010, there were no Israeli horror films. Then distinctly Israeli serial killers, zombies, vampires, and ghosts invaded local screens.The next decade saw a blossoming of the genre by young Israeli filmmakers.New Israeli Horror is the first book to tell their story.Through in-depth analysis, engaging storytelling, and interviews with the filmmakers, Olga Gershenson explores their films from inception to reception.She shows how these films challenge traditional representations of Israel and its people, while also appealing to audiences around the world. Gershenson introduces an innovative conceptual framework of adaptation, which explains how filmmakers adapt global genre tropes to local reality.It illuminates the ways in which Israeli horror borrows and diverges from its international models.New Israeli Horror offers an exciting and original contribution to our understanding of both Israeli cinema and the horror genre. A companion website to this book is available at https://blogs.umass.edu/newisraelihorror/ (https://blogs.umass.edu/newisraelihorror/)Book trailer: https://youtu.be/oVJsD0QCORw (https://youtu.be/oVJsD0QCORw)
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What does genre mean in art?
In art, genre refers to a specific category or style of artistic expression that is characterized by certain common themes, subjects, or techniques. It helps to classify and organize different types of art based on their similarities and shared characteristics. Genres in art can include landscape, portrait, still life, abstract, and many others, each with its own conventions and traditions. Understanding genres in art can help viewers and artists alike to appreciate and interpret works within a particular context.
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What is a modern classic in the anime genre?
A modern classic in the anime genre is a show that has had a significant impact on the industry and has gained a large and dedicated fanbase. It is a series that has pushed the boundaries of storytelling, animation, and character development, and has left a lasting impression on viewers. Examples of modern classics in the anime genre include "Attack on Titan," "My Hero Academia," and "Demon Slayer: Kimetsu no Yaiba." These shows have garnered widespread acclaim and have become iconic within the anime community.
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What are some examples of music in the Art Rock genre?
Some examples of music in the Art Rock genre include the works of bands like Pink Floyd, Yes, and Genesis. These bands are known for their experimental and avant-garde approach to rock music, incorporating elements of classical, jazz, and electronic music into their sound. Their music often features complex compositions, intricate arrangements, and thought-provoking lyrics, setting them apart from traditional rock music. Art Rock also encompasses solo artists like David Bowie and Peter Gabriel, who have pushed the boundaries of rock music with their innovative and artistic approach.
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Which film genre would you choose for the first date at the cinema?
For a first date at the cinema, I would choose a romantic comedy film genre. Romantic comedies are light-hearted and entertaining, which can help create a relaxed and enjoyable atmosphere for the date. They also provide opportunities for laughter and bonding over shared humor, making it easier to break the ice and connect with your date. Additionally, romantic comedies often have feel-good endings, which can leave a positive and uplifting impression on the first date experience.
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Photography after Photography : Gender, Genre, History
Presenting two decades of work by Abigail Solomon-Godeau, Photography after Photography is an inquiry into the circuits of power that shape photographic practice, criticism, and historiography.As the boundaries that separate photography from other forms of artistic production are increasingly fluid, Solomon-Godeau, a pioneering feminist and politically engaged critic, argues that the relationships between photography, culture, gender, and power demand renewed attention.In her analyses of the photographic production of Cindy Sherman, Robert Mapplethorpe, Susan Meiselas, Francesca Woodman, and others, Solomon-Godeau refigures the disciplinary object of photography by considering these practices through an examination of the determinations of genre and gender as these shape the relations between photographers, their images, and their viewers.Among her subjects are the 2006 Abu Ghraib prison photographs and the Cold War-era exhibition The Family of Man, insofar as these illustrate photography's embeddedness in social relations, viewing relations, and ideological formations.
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Genre
This second edition of John Frow’s Genre offers a comprehensive and accessible introduction to the area.Genre is a key means by which we categorize the many forms of literature and culture, but it is also much more than that: in talk and writing, in music and images, in film and television, genres actively generate and shape our knowledge of the world.Understanding genre as a dynamic process rather than a set of stable rules, this book explores:the relation of simple to complex genresthe history of literary genre in theorythe generic organisation of implied meaningsthe structuring of interpretation by genrethe uses of genre in teaching. John Frow’s lucid exploration of this fascinating concept has become essential reading for students of literary and cultural studies, and the second edition expands on the original to take account of recent debates in genre theory and the emergence of digital genres.
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Opera, a History of the Impossible Genre
Opera, a History of the Impossible Genre offers an accessible and chronological survey of opera. Beginning in the 16th century, each chapter hones its focus on a representative opera and composer, and provides discussion on historical and political context.With further reading lists, key term definitions, and composer biographies to support learning, this book covers the fundamental elements of the genre, including: subject matter, musical structure, aria and ensemble forms, singing styles, orchestra, and the structure of the libretto.The book will also help readers develop an appreciation of opera as a form of musical entertainment, which, despite seemingly insurmountable financial, philosophical, and artistic hurdles, has overcome the “impossible” to become one of the most popular and thrilling types of music heard on stage today. Opera, a History of the Impossible Genre is an approachable undergraduate textbook for students of opera and survey courses.
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A la rencontre du cinema francais : Analyse, genre, histoire
À la rencontre du cinéma français: analyse, genre, histoire is intended to serve as the core textbook in a wide variety of upper-level undergraduate and graduate French cinema courses.In contrast to content-, theme-, or issue-based approaches to film, Professor Berg stresses “the cinematically specific, the warp and fabric of the film itself, the stuff of which it is made.” Sufficient proficiency in French is the sole prerequisite: “No previous background in film studies is assumed, nor is any prior acquaintance with French cinema.It will help, of course, to like movies, and to have seen quite a few…” (from the preface).
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Which genre is meant?
I'm sorry, but I need more context to provide an accurate answer. Could you please specify the genre you are referring to?
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What is his genre?
His genre is primarily pop, with influences of R&B and hip-hop. He is known for his catchy melodies, smooth vocals, and relatable lyrics. His music often explores themes of love, relationships, and personal growth. Overall, he has a versatile sound that appeals to a wide audience.
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What is genre criticism?
Genre criticism is a method of analyzing and evaluating literary or artistic works based on their specific genre or category. It involves examining the conventions, themes, and stylistic elements that are characteristic of a particular genre, and assessing how well a work adheres to or subverts these conventions. Genre criticism helps to understand how genres function as a form of communication and expression, and how they shape audience expectations and interpretations. It also allows for comparisons between different works within the same genre, and for a deeper understanding of the cultural and historical contexts in which genres develop and evolve.
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What genre is 3476?
3476 is a science fiction novel. It explores futuristic technology, space travel, and the impact of advanced artificial intelligence on society. The story is set in a future world that is heavily influenced by scientific and technological advancements, making it a classic example of the science fiction genre.
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