Products related to Modernism:
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Comics and Modernism : History, Form, and Culture
Contributions by David M. Ball, Scott Bukatman, Hillary Chute, Jean Lee Cole, Louise Kane, Matthew Levay, Andrei Molotiu, Jonathan Najarian, Katherine Roeder, Noa Saunders, Clémence Sfadj, Nick Sturm, Glenn Willmott, and Daniel Worden Since the early 1990s, cartoonist Art Spiegelman has made the case that comics are the natural inheritor of the aesthetic tradition associated with the modernist movement of the early twentieth century.In recent years, scholars have begun to place greater import on the shared historical circumstances of early comics and literary and artistic modernism.Comics and Modernism: History, Form, and Culture is an interdisciplinary consideration of myriad social, cultural, and aesthetic connections. Filling a gap in current scholarship, an impressively diverse group of scholars approaches the topic from a variety of disciplinary backgrounds and methodologies.Drawing on work in literary studies, art history, film studies, philosophy, and material culture studies, contributors attend to the dynamic relationship between avant-garde art, literature, and comics.Essays by both established and emerging voices examine topics as divergent as early twentieth-century film, museum exhibitions, newspaper journalism, magazine illustration, and transnational literary circulation. In presenting varied critical approaches, this book highlights important interpretive questions for the field.Contributors sometimes arrive at thoughtful consensus and at other times settle on productive disagreements.Ultimately, this collection aims to extend traditional lines of inquiry in both comics studies and modernist studies and to reveal overlaps between ostensibly disparate artistic practices and movements.
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Screening Modernism : European Art Cinema, 1950-1980
Casting fresh light on the renowned productions of auteurs such as Antonioni, Fellini, and Bresson and drawing out from the shadows a range of important but lesser-known works, "Screening Modernism" is the first comprehensive study of European art cinema's postwar heyday.Spanning from the 1950s to the 1970s, Andras Balint Kovacs' encyclopedic work argues that cinematic modernism was not a unified movement with a handful of styles and themes but rather a stunning range of variations on the core principles of modern art.Illustrating how the concepts of modernism and the avant-garde variously manifest themselves in film, Kovacs begins by tracing the emergence of art cinema as a historical category.He then explains the main formal characteristics of modern styles and forms as well as their intellectual foundation.Finally, drawing on modernist theory and philosophy along the way, he provides an innovative history of the evolution of modern European art cinema. Exploring not only modernism's origins but also its stylistic, thematic, and cultural avatars, "Screening Modernism" ultimately lays out creative new ways to think about the historical periods that comprise this golden age of film.
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Modernism : Representations of National Culture
This is the second part of the third volume of the four-volume series, a daring project of CEU Press, presenting the most important texts that triggered and shaped the processes of nation-building in the many countries of Central and Southeast Europe.The aim is to confront ‘mainstream’ and seemingly successful national discourses with each other, thus creating a space for analyzing those narratives of identity which became institutionalized as “national canons.”After the volumes focousing on the late enlightenment and the emergence of national romanticism, two books elaborate on the phenomenon of modernism in eastern Europe.Modernism is conceived as a counterpart to modernity, the first belonging to the periphery, tha latter to the developed West. Fifty-one texts illustrate the evolution of modernism in Eastern Europe.Essays, articles, poems, or excerpts from longer works offer new opportunities of possible comparisons of the respective national cultures.The volume focuses on the literary and scientific attempts at squaring the circle of individual and collective identities.Often outspokenly critical of the romantic episteme, these texts reflect a more sophisticated and critical stance than in the preceding periods.At the same time, rather than representing a complete rupture, they often continue and confirm the romantic identity narratives, albeit with “other means”.The volume also presents the ways national minorities sought to legitimize their existence with reference to their cultural and institutional peculiarity.
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The Cambridge History of Modernism
This Cambridge History of Modernism is the first comprehensive history of modernism in the distinguished Cambridge Histories series.It identifies a distinctive temperament of 'modernism' within the 'modern' period, establishing the circumstances of modernized life as the ground and warrant for an art that becomes 'modernist' by virtue of its demonstrably self-conscious involvement in this modern condition.Following this sensibility from the end of the nineteenth century to the middle of the twentieth, tracking its manifestations across pan-European and transatlantic locations, the forty-three chapters offer a remarkable combination of breadth and focus.Prominent scholars of modernism provide analytical narratives of its literature, music, visual arts, architecture, philosophy, and science, offering circumstantial accounts of its diverse personnel in their many settings.These historically informed readings offer definitive accounts of the major work of twentieth-century cultural history and provide a new cornerstone for the study of modernism in the current century.
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To what extent is classical modernism modern?
Classical modernism can be considered modern to a significant extent due to its emphasis on innovation, experimentation, and a break from traditional artistic conventions. Artists and designers of the modernist movement sought to reflect the rapidly changing world around them through their work, embracing new technologies and materials. The movement also challenged established norms and pushed boundaries in art, architecture, and design, making it a defining characteristic of modernity. However, classical modernism also drew inspiration from historical styles and traditions, blending the old with the new, which can be seen as a nod to the past rather than a complete break from it.
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What are the characteristics of pop modernism?
Pop modernism is characterized by a fusion of popular culture and modernist artistic techniques. It often incorporates elements of mass media, consumerism, and technology, and is known for its bold, vibrant, and playful aesthetic. Pop modernism also tends to challenge traditional artistic boundaries and blur the lines between high and low culture. It is a reflection of the fast-paced, consumer-driven society of the modern world, and often critiques or satirizes contemporary social and political issues.
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What are some well-known music examples of modernism?
Some well-known music examples of modernism include Igor Stravinsky's "The Rite of Spring," which caused a scandal at its premiere in 1913 due to its dissonant and rhythmic complexity. Another example is Arnold Schoenberg's atonal and twelve-tone compositions, such as "Pierrot Lunaire" and "Suite for Piano." Additionally, the music of Bela Bartok, with its use of folk melodies and complex rhythmic patterns, is also considered a significant example of modernism in music. These composers and their works challenged traditional tonality and form, pushing the boundaries of musical expression in the early 20th century.
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What is the difference between Deconstructivism, Modernism, and Historicism?
Deconstructivism is a postmodern architectural style that seeks to break down traditional elements of design, creating fragmented and distorted forms. Modernism, on the other hand, is a design movement that emerged in the early 20th century, characterized by simplicity, functionality, and the use of new materials such as steel and glass. Historicism, on the other hand, is an architectural style that draws inspiration from historical architectural styles and incorporates them into contemporary designs. Each of these styles has its own unique approach to design and aesthetics, reflecting different philosophies and influences.
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Consuming Surrealism in American Culture : Dissident Modernism
Consuming Surrealism in American Culture: Dissident Modernism argues that Surrealism worked as a powerful agitator to disrupt dominant ideas of modern art in the United States.Unlike standard accounts that focus on Surrealism in the U.S. during the 1940s as a point of departure for the ascendance of the New York School, this study contends that Surrealism has been integral to the development of American visual culture over the course of the twentieth century.Through analysis of Surrealism in both the museum and the marketplace, Sandra Zalman tackles Surrealism’s multi-faceted circulation as both elite and popular.Zalman shows how the American encounter with Surrealism was shaped by Alfred Barr, William Rubin and Rosalind Krauss as these influential curators mobilized Surrealism to compose, to concretize, or to unseat narratives of modern art in the 1930s, 1960s and 1980s - alongside Surrealism’s intersection with advertising, Magic Realism, Pop, and the rise of contemporary photography.As a popular avant-garde, Surrealism openly resisted art historical classification, forcing the supposedly distinct spheres of modernism and mass culture into conversation and challenging theories of modern art in which it did not fit, in large part because of its continued relevance to contemporary American culture.
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Modernism
Modernist movements radically transformed the late nineteenth- and early twentieth-century literary establishment, and their effects are still felt today.Modernism introduces and analyzes what amounted to nothing less than a literary and cultural revolution. In this fully updated, expanded, and revised third edition, charting modernism in its global and local contexts, Peter Childs: details the origins of modernism and the influence of thinkers such as Darwin, Marx, Freud, Nietzsche, Saussure and Einstein explores the radical changes which occurred in the arts, literature, drama, and film of the period traces 'modernism at work' in literature, especially in writings by a range of British, Irish, American and other Anglophone authors including James Joyce, Virginia Woolf, Samuel Beckett, Nella Larsen, Gertrude Stein, Katherine Mansfield, T.S. Eliot, and many others explains recent critical interest in the culture and worldwide impact of modernism reflects upon the shift from modernism to postmodernism. At once accessible and critically informed, Modernism guides readers from first steps in the field to an advanced understanding of one of the most important cultural phenomena of the last centuries.
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Late Modernism: Odysseys in Art
Late Modernism: Odysseys in Art
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Modernism
After much anticipation, the eclectic compilation album "Modernism in British English" has finally hit the shelves, bringing together a diverse array of artists in a celebration of all things British and modernist. From the ska-infused sounds of The Specials to the experimental genius of Brian Eno, this record is a veritable feast for the ears. The album kicks off with a bang, with The Jam's iconic anthem "Town Called Malice" setting the tone for the rest of the journey. The tracklist is a rollercoaster of genres and styles, from the punk rock energy of The Clash to the dreamy electronica of New Order. But what truly sets this album apart is its strong sense of cohesion. Despite the varied sounds and influences, there is a common thread that ties the tracks together, creating a cohesive listening experience that is both thrilling and satisfying. Standout tracks include the haunting beauty of Kate Bush's "Wuthering Heights" and the infectious groove of Dexys Midnight Runners' "Come On Eileen." Each song is a gem in its own right, contributing to the overall richness and depth of the album. In conclusion, "Modernism in British English" is a triumph of curation, showcasing the best of British music in all its innovative glory. Whether you're a longtime fan of these artists or a newcomer to the scene, this album is sure to delight and inspire.
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Is 20th-century literature and modernism the same thing?
While 20th-century literature encompasses a wide range of literary movements and styles, modernism is a specific literary movement that emerged in the early 20th century. Modernism is characterized by a break from traditional forms and conventions, experimentation with narrative techniques, and a focus on individual consciousness and subjective experience. Therefore, while modernism is a significant part of 20th-century literature, they are not synonymous as 20th-century literature includes other movements such as postmodernism, realism, and naturalism.
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Can you help me with the art, culture, and history exam?
Of course! I can help you with the art, culture, and history exam by providing information, explanations, and answering any specific questions you may have. I can also assist in reviewing key concepts, important figures, and significant events related to these subjects. Feel free to ask me anything you need help with, and I'll do my best to assist you in preparing for your exam.
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What are art and culture events?
Art and culture events are gatherings or activities that showcase various forms of artistic expression, such as visual arts, music, dance, theater, literature, and more. These events provide a platform for artists to share their work with the public and engage in creative dialogue. They also offer opportunities for individuals to immerse themselves in different cultural experiences, broaden their perspectives, and appreciate the diversity of human expression. Overall, art and culture events play a vital role in enriching communities, fostering creativity, and promoting understanding and connection among people.
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Do you find art and culture important?
Yes, I find art and culture to be extremely important. Art and culture are essential for expressing and preserving the diversity of human experiences and perspectives. They also play a crucial role in fostering creativity, critical thinking, and empathy. Additionally, art and culture contribute to the economy and tourism, and can serve as a powerful tool for social change and community development. Overall, art and culture enrich our lives and help us understand and appreciate the world around us.
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