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British Cinema, Past and Present
British Cinema: Past and Present responds to the commercial and critical success of British film in the 1990s.Providing a historical perspective to the contemporary resurgence of British cinema, this unique anthology brings together leading international scholars to investigate the rich diversity of British film production, from the early sound period of the 1930s to the present day. The contributors address:* British Cinema Studies and the concept of national cinema* the distribution and reception of British films in the US and Europe* key genres, movements and cycles of British cinema in the 1940s, 50s and 60s* questions of authorship and agency, with case studies of individual studios, stars, producers and directors* trends in British cinema, from propaganda films of the Second World War to the New Wave and the 'Swinging London' films of the Sixties* the representation of marginalised communities in films such as Trainspotting and The Full Monty* the evolution of social realism from Saturday Night, Sunday Morning to Nil By Mouth* changing approaches to Northern Ireland and the Troubles in films like The Long Good Friday and Alan Clarke's Elephant* contemporary 'art' and 'quality' cinema, from heritage drama to the work of Peter Greenaway, Derek Jarman, Terence Davies and Patrick Keiller.
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German Culture Past and Present
Reproduction of the original: German Culture Past and Present by Ernest Belfort Bax
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Art History for Comics : Past, Present and Potential Futures
This book looks at comics through the lens of Art History, examining the past influence of art-historical methodologies on comics scholarship to scope how they can be applied to Comics Studies in the present and future.It unearths how early comics scholars deployed art-historical approaches, including stylistic analysis, iconography, Cultural History and the social history of art, and proposes how such methodologies, updated in light of disciplinary developments within Art History, could be usefully adopted in the study of comics today.Through a series of indicative case studies of British and American comics like Eagle, The Mighty Thor, 2000AD, Escape and Heartbreak Hotel, it argues that art-historical methods better address overlooked aspects of visual and material form.Bringing Art History back into the interdisciplinary nexus of comics scholarship raises some fundamental questions about the categories, frameworks and values underlying contemporary Comics Studies.
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Appropriating History : The Soviet Past in Belarusian, Russian and Ukrainian Popular Culture
Popular media play an important role in reconstructing collective imaginations of history.Dramatic events and ruptures of the 20th century provide the material for playful as well as neo-imperialist and nationalist appropriations of the past.The contributors to the volume investigate this phenomenon using case studies from Belarusian, Russian and Ukrainian popular cultures.They show how in mainstream films, TV series, novels, comics and computer games, the reference to Soviet history offers role models, action patterns and even helps to justify current political and military developments.The volume thus presents new insights into the multi-layered and explosive dynamics of popular culture in Eastern Europe.
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'Simple past or past continuous?'
The choice between simple past and past continuous depends on the specific context and the focus of the sentence. Use the simple past to describe completed actions or events in the past, while the past continuous is used to describe ongoing or interrupted actions in the past. For example, "I studied for my exam last night" uses the simple past to describe a completed action, while "I was studying when the phone rang" uses the past continuous to describe an ongoing action that was interrupted.
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Past simple or past continuous?
The choice between past simple and past continuous depends on the specific context and the action being described. Use past simple to describe completed actions or events that happened at a specific point in the past, such as "I went to the store yesterday." Use past continuous to describe actions that were ongoing or in progress at a specific point in the past, such as "I was watching TV when the phone rang." It's important to consider the duration and completion of the action when deciding between past simple and past continuous.
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Could society tolerate more critical art in the past?
In the past, society may have been less tolerant of critical art due to a variety of factors such as stricter censorship, limited access to alternative viewpoints, and a more conservative cultural climate. Artists who challenged the status quo or criticized societal norms often faced backlash, censorship, or even persecution. However, as society has evolved and become more open to diverse perspectives, there is now greater acceptance and appreciation for critical art that challenges the prevailing social, political, and cultural narratives. This shift has allowed for more freedom of expression and has enabled critical art to provoke important conversations and promote social change.
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Can you help me with the art, culture, and history exam?
Of course! I can help you with the art, culture, and history exam by providing information, explanations, and answering any specific questions you may have. I can also assist in reviewing key concepts, important figures, and significant events related to these subjects. Feel free to ask me anything you need help with, and I'll do my best to assist you in preparing for your exam.
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Screening the Past : Memory and Nostalgia in Cinema
From Mildred Pierce and Brief Encounter to Raging Bull and In the Mood for Love, this lively and accessible collection explores film culture's obsession with the past, offering searching and provocative analyses of a wide range of titles. Screening the Past engages with current debates about the role of cinema in mediating history through memory and nostalgia, suggesting that many films use strategies of memory to produce diverse forms of knowledge which challenge established ideas of history, and the traditional role of historians.Classic essays sit side by side with new research, contextualized by introductions which bring them up to date, and provide suggestions for further reading as the work of contemporary directors such as Martin Scorsese, Kathryn Bigelow, Todd Haynes and Wong Kar-wai is used to examine the different ways they deploy creative processes of memory. Pam Cook also investigates the recent history of film studies, reviewing the developments that have culminated in the exciting, if daunting, present moment.The result is a rich and stimulating volume that will appeal to anyone with an interest in cinema, memory and identity.
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HIStory: Past, Present and Future, Book 1
A collection of songs from the 'King of Pop' incorporating old classics such as: 'Billie Jean', 'Thriller', 'Beat It' and 'Don't Stop 'Til You Get Enough' as well as new material.
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Forgotten History : Unbelievable Moments from the past
Not all history is recorded in school textbooks or cast into towering monuments that shape city skylines.Quite often the most intriguing (and most bizarre) bits are forgotten and fall away into obscurity.In this fascinating book, Jem Duducu shines light on the almost forgotten, wonderfully strange, and often hilarious moments of history that would otherwise be lost forever. Forgotten History tells in delightful detail the stories of hard-to-believe events, people and inventions.Spanning the breadth of human history, this light-hearted and easy-to-read book is full to bursting with the bits from history that even a history enthusiast may otherwise have never known. Covering a wide variety of topics, from the time a Pope put his dead predecessor on trial to the awkward moment when the US Air Force accidentally dropped nuclear bombs on Spain, Forgotten History provides a journey through time to discover the weird and wonderful history that you didn't learn about in school.
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Double Helix History : Genetics and the Past
Double Helix History examines the interface between genetics and history in order to investigate the plausibility of ‘new’ knowledge derived from scientific methods and to reflect upon what it might mean for the practice of history. Since the mapping of the human genome in 2001, there has been an expansion in the use of genetic information for historical investigation.Geneticists are confident that this has changed the way we know the past.This book considers the practicalities and implications of this seemingly new way of understanding the human past using genetics.It provides the first sustained engagement with these so-called ‘genomic histories’.The book investigates the ways that genetic awareness and practice is seemingly changing historical practice and conceptualisation.Linking six concepts – ‘Public’, ‘Practice’, ‘Ethics’, ‘Politics’, ‘Self’, and ‘Imagination – Double Helix History outlines the ways that genetic information, being postgenomic, the public life of DNA, and the genetic historical imaginary work on the body, on collective memory, on the historical imagination, on the ethics of historical investigation, on the articulation of history, and on the collection and interpretation of data regarding the ‘past’. This book will appeal to researchers and students alike interested in DNA, genetics, and historiography.
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What is the difference between the past and history?
The past refers to all events and experiences that have occurred before the present moment, including both significant historical events and personal experiences. History, on the other hand, is the study and interpretation of the past, often focusing on significant events, people, and societal developments. While the past is a broad and inclusive concept, history involves the analysis and understanding of the past through the lens of human interpretation and scholarship. In essence, the past is the raw material of history, while history is the organized and interpreted understanding of the past.
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Should one walk past or go past?
Both "walk past" and "go past" are commonly used phrases in English and can be used interchangeably in most situations. However, "walk past" specifically implies moving on foot, while "go past" can refer to any mode of transportation or movement. Ultimately, the choice between the two phrases depends on personal preference and the context in which they are being used.
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What is the simple past of "thou art" in Middle English?
The simple past of "thou art" in Middle English is "thou wert." In Middle English, "thou" was the singular informal form of "you," and "wert" was the past tense of the verb "to be." So, "thou wert" would be used to indicate that someone or something was in a certain state or condition in the past.
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For the past: Simple past or present perfect?
The choice between simple past and present perfect depends on the specific context and the speaker's intention. Generally, the simple past is used to talk about a specific completed action or event that occurred at a definite time in the past. On the other hand, the present perfect is used to indicate a connection between the past and the present, emphasizing the relevance or impact of the past action on the present moment. So, if the focus is on a completed action with a specific time reference, simple past is more appropriate. If the focus is on the relevance of the past action to the present moment, present perfect is more suitable.
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