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British Cinema, Past and Present
British Cinema: Past and Present responds to the commercial and critical success of British film in the 1990s.Providing a historical perspective to the contemporary resurgence of British cinema, this unique anthology brings together leading international scholars to investigate the rich diversity of British film production, from the early sound period of the 1930s to the present day. The contributors address:* British Cinema Studies and the concept of national cinema* the distribution and reception of British films in the US and Europe* key genres, movements and cycles of British cinema in the 1940s, 50s and 60s* questions of authorship and agency, with case studies of individual studios, stars, producers and directors* trends in British cinema, from propaganda films of the Second World War to the New Wave and the 'Swinging London' films of the Sixties* the representation of marginalised communities in films such as Trainspotting and The Full Monty* the evolution of social realism from Saturday Night, Sunday Morning to Nil By Mouth* changing approaches to Northern Ireland and the Troubles in films like The Long Good Friday and Alan Clarke's Elephant* contemporary 'art' and 'quality' cinema, from heritage drama to the work of Peter Greenaway, Derek Jarman, Terence Davies and Patrick Keiller.
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German Culture Past and Present
Reproduction of the original: German Culture Past and Present by Ernest Belfort Bax
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Art History for Comics : Past, Present and Potential Futures
This book looks at comics through the lens of Art History, examining the past influence of art-historical methodologies on comics scholarship to scope how they can be applied to Comics Studies in the present and future.It unearths how early comics scholars deployed art-historical approaches, including stylistic analysis, iconography, Cultural History and the social history of art, and proposes how such methodologies, updated in light of disciplinary developments within Art History, could be usefully adopted in the study of comics today.Through a series of indicative case studies of British and American comics like Eagle, The Mighty Thor, 2000AD, Escape and Heartbreak Hotel, it argues that art-historical methods better address overlooked aspects of visual and material form.Bringing Art History back into the interdisciplinary nexus of comics scholarship raises some fundamental questions about the categories, frameworks and values underlying contemporary Comics Studies.
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Art and Artifice in Visual Culture : Eighteenth Century to the Present
This edited volume explores the notion of “artifice” in modern visual culture, ranging from the eighteenth century to the present, in countries around the globe. Artifice has been regarded as a primarily Western phenomenon, playing as it does a central role in European art theory since the Renaissance.This volume proposes that artifice is better understood as a transcultural artistic phenomenon and requires far broader conceptualization across international contexts.It acquaints readers with works of art, visual modes of communication, and concepts originating in France, Germany, the United States, Japan, and China, and includes painting, sculpture, drawings, prints, photographs, film, and virtual reality/augmented reality (VR/AR) objects.Contributors demonstrate how practices of artifice function as both symbol and form, in parallel and divergent ways, in multiple cultural settings. The book will be of interest to scholars working in art history, visual culture, and material culture.
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How can one present sources in history?
One can present sources in history by clearly identifying and citing the sources used in their research. It is important to provide detailed information about the sources, such as the author, title, publication date, and any relevant context. Additionally, it is essential to evaluate the reliability and credibility of the sources to ensure the accuracy of the information presented. Using a variety of primary and secondary sources can also help provide a well-rounded and comprehensive view of the historical topic being discussed.
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Is the culture of the samurai still present in Japan?
The culture of the samurai is still present in Japan, although it has evolved over time. While the traditional role of the samurai as warriors no longer exists, their influence can still be seen in various aspects of Japanese society, such as the emphasis on discipline, honor, and loyalty. Additionally, many martial arts and traditional Japanese arts and crafts are still practiced and celebrated, keeping the spirit of the samurai alive. Overall, while the samurai culture has adapted to modern times, its influence can still be felt in Japan today.
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Can you please present the art report in school?
Yes, I can present the art report in school. I will be able to provide a detailed overview of the art projects, including the techniques used, the themes explored, and the impact of the artwork on the school community. I will also be prepared to answer any questions from the audience and provide additional insights into the creative process behind the art pieces.
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Can you help me with the art, culture, and history exam?
Of course! I can help you with the art, culture, and history exam by providing information, explanations, and answering any specific questions you may have. I can also assist in reviewing key concepts, important figures, and significant events related to these subjects. Feel free to ask me anything you need help with, and I'll do my best to assist you in preparing for your exam.
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Classical Art : A Life History from Antiquity to the Present
How did the statues of ancient Greece wind up dictating art history in the West?How did the material culture of the Greeks and Romans come to be seen as "classical" and as "art"?What does "classical art" mean across time and place?In this ambitious, richly illustrated book, art historian and classicist Caroline Vout provides an original history of how classical art has been continuously redefined over the millennia as it has found itself in new contexts and cultures.All of this raises the question of classical art's future. What we call classical art did not simply appear in ancient Rome, or in the Renaissance, or in the eighteenth-century Academy.Endlessly repackaged and revered or rebuked, Greek and Roman artifacts have gathered an amazing array of values, both positive and negative, in each new historical period, even as these objects themselves have reshaped their surroundings.Vout shows how this process began in antiquity, as Greeks of the Hellenistic period transformed the art of fifth-century Greece, and continued through the Roman empire, Constantinople, European court societies, the neoclassical English country house, and the nineteenth century, up to the modern museum. A unique exploration of how each period of Western culture has transformed Greek and Roman antiquities and in turn been transformed by them, this book revolutionizes our understanding of what classical art has meant and continues to mean.
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Dublin in Present Era : History
Dublin in Present Era. History. Dublin, in nineteen eleven, was a mass of contradictions.A second city of the British Empire, Dublin was also the first city of nationalist Ireland and, within its boundaries, the divisions of class and culture were extraordinary.This was a city of genuine diversity, its many complexities defying easy explanations.Rich and poor, immigrant and native, nationalist and unionist, Catholic, Protestant, Jew and Quaker, and so many more, were all bound together in the life of the city.In 1911 Dublin was moving into a decade of remarkable change; little would remain untouched.First, the 1913 Lockout redefined the nature of commerce and class relations in the city.The 1916 Rising, followed by the 1919-21 War of Independence and the ensuing civil war, turned politics and government on its head.Not all change was driven by local events. World War One saw many thousands of Dubliners fight in the trenches of Gallipoli, Flanders and the Somme.Many never came home. Those who did were often radically transformed, partly by the war and partly by what had happened at home while they were away.
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The History of Art: A Global View : Prehistory to the Present
Written by a team of expert authors, this landmark textbook shows that art is more than European and extends far beyond the traditional canon. The History of Art: A Global View answers the urgent need for a more global, inclusive way to teach the history of the world’s art.Led by Jean Robertson and Deborah Hutton, eleven specialists have cohered around the shared goal of bringing multiple perspectives to a worldwide narrative.The resulting survey represents every global region as an important part of an integrated, chronological history that emphasizes cross-cultural connections, contrasts and comparisons. The first major art history textbook of the 21st century, The History of Art: A Global View equips students to understand the history of art in new and revealing ways.
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The History of Art : Painting from Giotto to the Present Day
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How present is religion in the present?
Religion continues to be a significant presence in the present, with billions of people around the world practicing various faiths. It plays a role in shaping cultural, social, and political dynamics, and continues to influence individuals' beliefs and values. Additionally, religious institutions and practices are visible in many aspects of daily life, from religious holidays and rituals to the presence of religious buildings and symbols in communities. Despite the rise of secularism and the decline of religious affiliation in some regions, religion remains a prominent force in shaping the world today.
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Is present tense the same as Simple Present?
Yes, present tense and Simple Present are often used interchangeably to refer to the verb form that describes actions happening in the current moment or habitual actions. The Simple Present tense is a specific grammatical form used to talk about present actions, while present tense is a broader term that encompasses all verb forms used to describe actions happening now.
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Which presentation topic in history has a connection to the present?
The topic of the Civil Rights Movement in the United States has a strong connection to the present. The fight for racial equality and social justice that characterized the Civil Rights Movement in the 1960s continues to be relevant today, as issues of systemic racism, discrimination, and inequality persist in society. By studying this historical topic, we can gain insights into the ongoing struggles for equality and justice in the present day and work towards creating a more inclusive and equitable society.
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Can you please present the final project on Japan in history?
The final project on Japan in history is a comprehensive presentation that covers various aspects of Japan's rich historical background. It includes information on key events, influential figures, cultural developments, and societal changes that have shaped Japan's history. The presentation also explores Japan's interactions with other countries, its impact on the global stage, and its evolution into a modern nation. Overall, the final project provides a thorough examination of Japan's historical journey and its significance in the world.
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